/ Interview

/ the art field

Sofia Zevi: I don’t use Instagram, I don’t need it

As society chases constant novelty, —yet the value of honest endures. Sofia Zevi and the need to be critical, today when everything seems to have to be 'wow' on social media

/ Fashion

The Paul Smith Archive: Sugar Cubes and Hundreds of Rabbits

A visit to Paul Smith's studio and a train trip to Nottingham the next day: for the first time, the complete archive in its catalog is presented to the public

/ literature

Michael Bible Finds Freedom in Failure: “Success Is Killing Us”

In Goodbye Hotel Michael Bible intertwines ecology and spirituality, exploring post-capitalist desolation. The novel invites us to see the world through the ancient lens of a nature destined to outlive us

/ The Publishing Industry

Marie Tomanova’s New Volume Confronts Identity, Migration, and Belonging

Marie Tomanova recovers a photographic archive from the beginning of her career, challenging the norms of photography with a single 36-exposure roll of film

/ cinema

Andrei Ujică: An Aesthetic Eye on Revolutions

From the fall of the Soviet Union to the arrival of the Beatles, the Romanian master filmmaker Andrei Ujică’s work draws on archival footage to depict the upheavals of the Twentieth century

/ Humanities

Mathis Chevalier – leave it to an MMA fighter to destroy toxic masculinity

As a teenager, Mathis Chevalier had trouble fitting into the school system. MMA helped him with his anger and frustration, until he decided it was time to deconstruct machismo

/ The Sound Industry

DJ Hell on Raw Analog Sound: Resisting Industry Over-Polish

I never want my music to sound too clean or safe; it needs an edge and a sense that anything can happen. My music is never about polished perfection: it’s about capturing raw energy

/ Lampoon Issue 31, The Sound Industry

Bobby Beethoven: Music is the One Spell Humanity Hasn’t Totally Ruined Yet

I’m not living an environmentally conscious life. I eat factory-farmed animals. I’ve flown to the other side of the planet to DJ one event, not even slept and flown directly back home. It’s disgusting. Survival is disgusting

/ The Publishing Industry

Joel Dicker: the Writer and the Publisher

When you take a game-changing decision, you don't understand what you’re doing. An interview with Joel Dicker, the worldwide bestselling author who decided to start his own publishing house, Rosie & Wolfe – an independent one

/ Lampoon Issue 31, the art field

Beyond the ashes: Isabelle Albuquerque crafts eternal narratives of feminine agency

"I struggled with the disconnect between my internal femininity and my body. It was before the internet. It was isolating, but there was the Amazonians…" From her studio on the edge of Sierra Madre, Isabelle Albuquerque reflects on her creative path, material choices, and the politics of belonging

/ Lampoon Issue 31, The Publishing Industry

Olivier Zahm: A Manifesto for the Independent Publishing Industry

An Interview to Olivier Zahm, Editor in Chief and co-founder of Purple Magazine, taken by Carlo Mazzoni, Editor in Chief of Lampoon. Independency: being creative today is not enough

/ Design

What’s the afterlife of The Library of Light? An interview with Es Devlin

Es Devlin in conversation with Lampoon on Salone del Mobile’s Library of Light: mapping words, movement, and memory into Brera’s historic courtyard—shaping space through story

/ Design

Alice Rawsthorn on design, critique, and global challenges at Prada Frames 2025

Inside Gio Ponti’s Arlecchino with design critic and former New York Times columnist, Alice Rawsthorn at Prada Frames 2025. “I felt design was misunderstood, marginalized, not taken seriously. There was a mission I could undertake”

/ Design e Architettura

An interview with Robert Wilson: he took a pen and draw an onion made of light

Bob Wilson x Michelangelo: La Pietà Rondanini in Mother, the opening exhibition for Salone del Mobile 2025: he took a pen and draw an onion made of light

/ Fashion

Brunello Cucinelli: “I was a farmer, I was poor, I was crazy in love with the sky”

Imprenditoria etica: a Napoli, il conferimento honoris causa del dottorato di ricerca per il made in Italy a Brunello Cucinelli – un caso di sostenibilità umana e una domanda sul futuro

/ literature

Charlie Porter’s Nova Scotia House: A Raw Portrait of Queer Survival

“A portrait of queer life in 1990s London, exploring the impacts of love and loss, while rejecting nostalgic narratives in favour of survival". An interview with Charlie Porter on his debut novel Nova Scotia House

/ call to action

Nelly Ben Hayoun-Stépanian: Interstellar Communication as Cultural Resistance

In Piccadilly Un:Plugged, Nelly Ben Hayoun-Stépanian uses noise, public installations and scientific inquiry to explore decolonization, interstellar communication and identity

/ the art field

“I am not a painter”: an Interview with Daniel Buren

“Many painters, few geniouses” says Daniel Buren. His investigation began in the 1960s with the use of vertical stripes, each measuring 8.7 cm: interventions on fabric, glass, wood, flags

/ the music industry

Blood, Sweat, and Synths: How Pol Balances Brotherhood, New Wave Music and Fashion

If you discard being raw, it becomes boring. The Pol brothers grew up apart from music but found raw inspiration in the shapes and sounds of runway shows, blending post-punk edges with modern sensibilities

/ cinema

Stefano Baisi on Crafting the World of Luca Guadagnino’s Queer: Making Love Into a Film Set

Luca Guadagnino takes William Lee’s story and does something unexpected — from miniatures, millipedes, and Mexico City, the production designer of Guadagnino’s 2024 film discusses turning William S. Burroughs’ life into a world inside the screen

/ Humanities

Chinese Espresso: how migration from China changed the face of Italian bars

Author and anthropologist Grazia Ting Deng recounts foaming milk, Occidentalist fantasies, and the socio-economic journey that has brought Chinese-run coffee bars to prominence in Italy

/ Lampoon Issue 30

Villa La Medusa, toward Frank Lloyd Wright’s organic architecture

Camaiore, Lucca. Villa La Medusa reflects its dual etymology. The root is ancient Greek: μέδω, meaning to care for, to protect, but also to bewitch. Villa La Medusa protects its own enchantment

/ Humanities

Michael Lockshin: Raw Reminders Between Two Worlds – USA and Russia

Interview with Michael Lockshin starting from his The Master and Margarita – Russians didn’t reconsider their symbols, they didn't take Lenin out of the mausoleum

/ The Publishing Industry

We Are Wandering Stray Dogs: Eva Ferri and Edizioni E/O

Interview with Eva Ferri, Editorial Director and Heir of Edizioni E/O: Independence in Publishing, the Publishing Situation, the Case and Success of L’Amica Geniale

/ naturally sourced

Is it possible to catalogue waves? Tiziano Scarpa has done it

An exploration of how waves reveal the dynamic soul of Venice. Merging aesthetics, fear, and hope in a delicate balance between human intervention and nature’s rhythms – in a conversation with writer Tiziano Scarpa

/ Photography

My name is Viviane Sassen and those scars are not my own scars

On the occasion of a travelling retrospective, Sassen looked into her archives and rediscovered a body of work she made while studying in an MFA program. Folio interrogates the preoccupations of her youth

/ Humanities

Yayoi Kusama: Japanese Girl in America, American Girl in Japan

Robert Shore chronicles the art of Yayoi Kusama: «the discovery of her father’s affair left her with a lifelong aversion to male genitalia; the dropping of atomic bombs left a sense of reality as a hallucination»

/ Humanities

Ella Wiznia: creating a thread to connect the upcycling

When eco-friendliness meets body-positivity: Ella Wiznia of The Series New York’s drive to upend traditional body conceptions and produce upcycled garments

/ Fashion

CAL deconstructs his latex boots for Rick Owens – Amongst the glue, metal rods, and pins

From his live-work studio in London, designer CAL talks FKA twigs, those air-filled boots, and his (now-masked) life with latex

/ Lampoon Issue 30

I don’t use barriers: Théo Mercier’s Rituals

No fences, glass, or don’t touch signs. The work is accessible. It’s vulnerable. You can break it, push it, or even steal it if you want

/ Lampoon Issue 30

Rough Culture: Luciano Baldessari was a Rationalist Rebel

Frank Lloyd Wright claimed that Luciano Baldessari was the only Italian architect whose work he knew – matter and spirit, monumental gestures and the fluidity of theatre

/ Lampoon Issue 30

The Raw Marks by Sigve Knutson

The best results come from using tools and materials they were not originally intended for – Oslo based experimental designer Sigve Knutson share his creative process and personal vision on rawness

/ Lampoon Issue 30

Selma Selman: my Dad’s Mercedes

I asked my family how much money they needed so that they wouldn't marry me off: 11,000 euros – I sold some of my artwork and even my hair. I gave them the money, and my father bought a Mercedes

/ Lampoon Issue 30

Dario Cecchini: I am not mad at vegetarians

When Dario Cecchini was a child, he wanted to become a vet – the death of his father changed his plans and he went from hating his job to becoming a celebrity butcher

/ Lampoon Issue 30

Elmgreen & Dragset: Fine Art and Swimming Pools

We are soft and neurotic, we work on the finer polishing and coating details – we don't keep the surface of our work rough: it is smooth – but also smooth can be rough

/ Fendi

Silvia Venturini Fendi: simplicity is the most complex design

The Peekaboo becomes a book. Fendi releases a volume tributing the bag designed by Silvia Venturini Fendi in 2008. Three ladies talking about irony, family and the meaning of legacy

/ Lampoon Issue 30

Lykke Li: Why Raw means Honest

A conversation with Lykke Li: Exploring non-linear time, psychedelics, the connection with her inner child, and how her artistry transcends the indie sleaze revival

/ Lampoon Issue 30

Martino Gamper: Rough, Rocks and Corners

I prefer removing material over adding. Martino Gamper’s design process transforms raw materials into narratives – embracing limits as creative tools, he combines cutting, refining, and collaboration to reveal hidden facets in every piece

/ Lampoon Issue 30

Michèle Lamy: I wake up not knowing what story I am in

Foucault once said that the 21st century would be Deleuzian. Now, living in the 21st century, it feels like almost dystopian – nterview with Michèle Lamy on chaos, creativity, Los Angeles and Rick Owens

/ Lampoon Issue 30

It’s a good time to be Moses Sumney

We caught up to discuss his emerging creative ventures, how he marries his career as a musician with that of an actor, and how he hopes people respond to his newest musical project. When we speak, it’s clear he’s got a lot going on

/ Grandi Maestri

Bonacina 1889: rattan manufacturing and design icons

Elia Bonacina, fourth generation of Bonacina 1889: pieces for the Agnelli family, Mondadori, Rothschilds, and inspirations for Mongiardino – rewriting the history of design backwards

/ naturally sourced

Can Vegans Be Photographers?

“Commercial photography is not vegan-friendly, but, there is a movement among artists seeking sustainable alternatives in photographic processes,” – interview with writer, filmmaker and curator Boaz Levin

/ Fashion

Armani’s story is Milan’s explanation of work ethic

Giorgio Armani, the fashion paradox and the fight against consumerism: we don't need to produce in a continuous flow, we have to teach our customers to buy less

/ Fashion

Ilenia Durazzi: a quest for rawness

A new headquarters and an anti-glossy aesthetic for Durazzi Milano – interview with founder Ilenia Durazzi: «France taught me savoir-faire and what it means to combine tailoring and creativity»

/ the art field

Cassi Namoda – «I feel pregnant with work: all these ideas want to have a birth»

«Galleries should have no expectations. Every artist has overworked or underworked something. I will be the only one to know if it's finished». Cassi Namoda on her approach to work and art

/ Humanities

Transcending the darkness: Desire Marea on spirituality, transparency and life as a performer

Johannesburg's queer community, the musical success and the recovery of the shaman tradition in the latest project Gwazamambuka. Desire Marea tells about the many identities that inhabit them

/ Fashion

Maccapani: technical jersey defies fashion conventions

The idea was inspired by M Missoni jersey lurex fabric, twenty-five thousand meters four times a year. Maccapani, seen through the eyes of the founder Margherita Maccapani Missoni

/ the art field

Gaetano Pesce: «we can’t be solid; we are as liquid as our time»

From the polyurethane of the UP series to the resins of Vieni a Vedere installation for Bottega Veneta: experimentation doesn't need to be taught; it just has to be done

/ The Sound Industry

Gavriel from GarageBand to Lo-Fi sound: “It’s about crafting”

Comprising seven self-produced and penned tracks, Luxe reflects pivotal moments in Gavriel’s life, inspired by the vaporwave sounds and lo-fi aesthetics of his youth

/ Fashion

Niccolò Pasqualetti: designing human diversity

«The fluidity of stone and the sensuality of water»: Niccolò Pasqualetti on being an independent and emerging brand today: birth and growth of the designer now a LVMH prize finalist

/ the art field

Sofia Zevi: I don’t use Instagram, I don’t need it

As society chases constant novelty, —yet the value of honest endures. Sofia Zevi and the need to be critical, today when everything seems to have to be 'wow' on social media

/ Fashion

The Paul Smith Archive: Sugar Cubes and Hundreds of Rabbits

A visit to Paul Smith's studio and a train trip to Nottingham the next day: for the first time, the complete archive in its catalog is presented to the public

/ literature

Michael Bible Finds Freedom in Failure: “Success Is Killing Us”

In Goodbye Hotel Michael Bible intertwines ecology and spirituality, exploring post-capitalist desolation. The novel invites us to see the world through the ancient lens of a nature destined to outlive us

/ The Publishing Industry

Marie Tomanova’s New Volume Confronts Identity, Migration, and Belonging

Marie Tomanova recovers a photographic archive from the beginning of her career, challenging the norms of photography with a single 36-exposure roll of film

/ cinema

Andrei Ujică: An Aesthetic Eye on Revolutions

From the fall of the Soviet Union to the arrival of the Beatles, the Romanian master filmmaker Andrei Ujică’s work draws on archival footage to depict the upheavals of the Twentieth century

/ Humanities

Mathis Chevalier – leave it to an MMA fighter to destroy toxic masculinity

As a teenager, Mathis Chevalier had trouble fitting into the school system. MMA helped him with his anger and frustration, until he decided it was time to deconstruct machismo

/ The Sound Industry

DJ Hell on Raw Analog Sound: Resisting Industry Over-Polish

I never want my music to sound too clean or safe; it needs an edge and a sense that anything can happen. My music is never about polished perfection: it’s about capturing raw energy

/ Lampoon Issue 31, The Sound Industry

Bobby Beethoven: Music is the One Spell Humanity Hasn’t Totally Ruined Yet

I’m not living an environmentally conscious life. I eat factory-farmed animals. I’ve flown to the other side of the planet to DJ one event, not even slept and flown directly back home. It’s disgusting. Survival is disgusting

/ The Publishing Industry

Joel Dicker: the Writer and the Publisher

When you take a game-changing decision, you don't understand what you’re doing. An interview with Joel Dicker, the worldwide bestselling author who decided to start his own publishing house, Rosie & Wolfe – an independent one

/ Lampoon Issue 31, the art field

Beyond the ashes: Isabelle Albuquerque crafts eternal narratives of feminine agency

"I struggled with the disconnect between my internal femininity and my body. It was before the internet. It was isolating, but there was the Amazonians…" From her studio on the edge of Sierra Madre, Isabelle Albuquerque reflects on her creative path, material choices, and the politics of belonging

/ Lampoon Issue 31, The Publishing Industry

Olivier Zahm: A Manifesto for the Independent Publishing Industry

An Interview to Olivier Zahm, Editor in Chief and co-founder of Purple Magazine, taken by Carlo Mazzoni, Editor in Chief of Lampoon. Independency: being creative today is not enough

/ Design

What’s the afterlife of The Library of Light? An interview with Es Devlin

Es Devlin in conversation with Lampoon on Salone del Mobile’s Library of Light: mapping words, movement, and memory into Brera’s historic courtyard—shaping space through story

/ Design

Alice Rawsthorn on design, critique, and global challenges at Prada Frames 2025

Inside Gio Ponti’s Arlecchino with design critic and former New York Times columnist, Alice Rawsthorn at Prada Frames 2025. “I felt design was misunderstood, marginalized, not taken seriously. There was a mission I could undertake”

/ Design e Architettura

An interview with Robert Wilson: he took a pen and draw an onion made of light

Bob Wilson x Michelangelo: La Pietà Rondanini in Mother, the opening exhibition for Salone del Mobile 2025: he took a pen and draw an onion made of light

/ Fashion

Brunello Cucinelli: “I was a farmer, I was poor, I was crazy in love with the sky”

Imprenditoria etica: a Napoli, il conferimento honoris causa del dottorato di ricerca per il made in Italy a Brunello Cucinelli – un caso di sostenibilità umana e una domanda sul futuro

/ literature

Charlie Porter’s Nova Scotia House: A Raw Portrait of Queer Survival

“A portrait of queer life in 1990s London, exploring the impacts of love and loss, while rejecting nostalgic narratives in favour of survival". An interview with Charlie Porter on his debut novel Nova Scotia House

/ call to action

Nelly Ben Hayoun-Stépanian: Interstellar Communication as Cultural Resistance

In Piccadilly Un:Plugged, Nelly Ben Hayoun-Stépanian uses noise, public installations and scientific inquiry to explore decolonization, interstellar communication and identity

/ the art field

“I am not a painter”: an Interview with Daniel Buren

“Many painters, few geniouses” says Daniel Buren. His investigation began in the 1960s with the use of vertical stripes, each measuring 8.7 cm: interventions on fabric, glass, wood, flags

/ the music industry

Blood, Sweat, and Synths: How Pol Balances Brotherhood, New Wave Music and Fashion

If you discard being raw, it becomes boring. The Pol brothers grew up apart from music but found raw inspiration in the shapes and sounds of runway shows, blending post-punk edges with modern sensibilities

/ cinema

Stefano Baisi on Crafting the World of Luca Guadagnino’s Queer: Making Love Into a Film Set

Luca Guadagnino takes William Lee’s story and does something unexpected — from miniatures, millipedes, and Mexico City, the production designer of Guadagnino’s 2024 film discusses turning William S. Burroughs’ life into a world inside the screen

/ Humanities

Chinese Espresso: how migration from China changed the face of Italian bars

Author and anthropologist Grazia Ting Deng recounts foaming milk, Occidentalist fantasies, and the socio-economic journey that has brought Chinese-run coffee bars to prominence in Italy

/ Lampoon Issue 30

Villa La Medusa, toward Frank Lloyd Wright’s organic architecture

Camaiore, Lucca. Villa La Medusa reflects its dual etymology. The root is ancient Greek: μέδω, meaning to care for, to protect, but also to bewitch. Villa La Medusa protects its own enchantment

/ Humanities

Michael Lockshin: Raw Reminders Between Two Worlds – USA and Russia

Interview with Michael Lockshin starting from his The Master and Margarita – Russians didn’t reconsider their symbols, they didn't take Lenin out of the mausoleum

/ The Publishing Industry

We Are Wandering Stray Dogs: Eva Ferri and Edizioni E/O

Interview with Eva Ferri, Editorial Director and Heir of Edizioni E/O: Independence in Publishing, the Publishing Situation, the Case and Success of L’Amica Geniale

/ naturally sourced

Is it possible to catalogue waves? Tiziano Scarpa has done it

An exploration of how waves reveal the dynamic soul of Venice. Merging aesthetics, fear, and hope in a delicate balance between human intervention and nature’s rhythms – in a conversation with writer Tiziano Scarpa

/ Photography

My name is Viviane Sassen and those scars are not my own scars

On the occasion of a travelling retrospective, Sassen looked into her archives and rediscovered a body of work she made while studying in an MFA program. Folio interrogates the preoccupations of her youth

/ Humanities

Yayoi Kusama: Japanese Girl in America, American Girl in Japan

Robert Shore chronicles the art of Yayoi Kusama: «the discovery of her father’s affair left her with a lifelong aversion to male genitalia; the dropping of atomic bombs left a sense of reality as a hallucination»

/ Humanities

Ella Wiznia: creating a thread to connect the upcycling

When eco-friendliness meets body-positivity: Ella Wiznia of The Series New York’s drive to upend traditional body conceptions and produce upcycled garments

/ Fashion

CAL deconstructs his latex boots for Rick Owens – Amongst the glue, metal rods, and pins

From his live-work studio in London, designer CAL talks FKA twigs, those air-filled boots, and his (now-masked) life with latex

/ Lampoon Issue 30

I don’t use barriers: Théo Mercier’s Rituals

No fences, glass, or don’t touch signs. The work is accessible. It’s vulnerable. You can break it, push it, or even steal it if you want

/ Lampoon Issue 30

Rough Culture: Luciano Baldessari was a Rationalist Rebel

Frank Lloyd Wright claimed that Luciano Baldessari was the only Italian architect whose work he knew – matter and spirit, monumental gestures and the fluidity of theatre

/ Lampoon Issue 30

The Raw Marks by Sigve Knutson

The best results come from using tools and materials they were not originally intended for – Oslo based experimental designer Sigve Knutson share his creative process and personal vision on rawness

/ Lampoon Issue 30

Selma Selman: my Dad’s Mercedes

I asked my family how much money they needed so that they wouldn't marry me off: 11,000 euros – I sold some of my artwork and even my hair. I gave them the money, and my father bought a Mercedes

/ Lampoon Issue 30

Dario Cecchini: I am not mad at vegetarians

When Dario Cecchini was a child, he wanted to become a vet – the death of his father changed his plans and he went from hating his job to becoming a celebrity butcher

/ Lampoon Issue 30

Elmgreen & Dragset: Fine Art and Swimming Pools

We are soft and neurotic, we work on the finer polishing and coating details – we don't keep the surface of our work rough: it is smooth – but also smooth can be rough

/ Fendi

Silvia Venturini Fendi: simplicity is the most complex design

The Peekaboo becomes a book. Fendi releases a volume tributing the bag designed by Silvia Venturini Fendi in 2008. Three ladies talking about irony, family and the meaning of legacy

/ Lampoon Issue 30

Lykke Li: Why Raw means Honest

A conversation with Lykke Li: Exploring non-linear time, psychedelics, the connection with her inner child, and how her artistry transcends the indie sleaze revival

/ Lampoon Issue 30

Martino Gamper: Rough, Rocks and Corners

I prefer removing material over adding. Martino Gamper’s design process transforms raw materials into narratives – embracing limits as creative tools, he combines cutting, refining, and collaboration to reveal hidden facets in every piece

/ Lampoon Issue 30

Michèle Lamy: I wake up not knowing what story I am in

Foucault once said that the 21st century would be Deleuzian. Now, living in the 21st century, it feels like almost dystopian – nterview with Michèle Lamy on chaos, creativity, Los Angeles and Rick Owens

/ Lampoon Issue 30

It’s a good time to be Moses Sumney

We caught up to discuss his emerging creative ventures, how he marries his career as a musician with that of an actor, and how he hopes people respond to his newest musical project. When we speak, it’s clear he’s got a lot going on

/ Grandi Maestri

Bonacina 1889: rattan manufacturing and design icons

Elia Bonacina, fourth generation of Bonacina 1889: pieces for the Agnelli family, Mondadori, Rothschilds, and inspirations for Mongiardino – rewriting the history of design backwards

/ naturally sourced

Can Vegans Be Photographers?

“Commercial photography is not vegan-friendly, but, there is a movement among artists seeking sustainable alternatives in photographic processes,” – interview with writer, filmmaker and curator Boaz Levin

/ Fashion

Armani’s story is Milan’s explanation of work ethic

Giorgio Armani, the fashion paradox and the fight against consumerism: we don't need to produce in a continuous flow, we have to teach our customers to buy less

/ Fashion

Ilenia Durazzi: a quest for rawness

A new headquarters and an anti-glossy aesthetic for Durazzi Milano – interview with founder Ilenia Durazzi: «France taught me savoir-faire and what it means to combine tailoring and creativity»

/ the art field

Cassi Namoda – «I feel pregnant with work: all these ideas want to have a birth»

«Galleries should have no expectations. Every artist has overworked or underworked something. I will be the only one to know if it's finished». Cassi Namoda on her approach to work and art

/ Humanities

Transcending the darkness: Desire Marea on spirituality, transparency and life as a performer

Johannesburg's queer community, the musical success and the recovery of the shaman tradition in the latest project Gwazamambuka. Desire Marea tells about the many identities that inhabit them

/ Fashion

Maccapani: technical jersey defies fashion conventions

The idea was inspired by M Missoni jersey lurex fabric, twenty-five thousand meters four times a year. Maccapani, seen through the eyes of the founder Margherita Maccapani Missoni

/ the art field

Gaetano Pesce: «we can’t be solid; we are as liquid as our time»

From the polyurethane of the UP series to the resins of Vieni a Vedere installation for Bottega Veneta: experimentation doesn't need to be taught; it just has to be done

/ The Sound Industry

Gavriel from GarageBand to Lo-Fi sound: “It’s about crafting”

Comprising seven self-produced and penned tracks, Luxe reflects pivotal moments in Gavriel’s life, inspired by the vaporwave sounds and lo-fi aesthetics of his youth

/ Fashion

Niccolò Pasqualetti: designing human diversity

«The fluidity of stone and the sensuality of water»: Niccolò Pasqualetti on being an independent and emerging brand today: birth and growth of the designer now a LVMH prize finalist

Lampoon is a cultural magazine.
Culture today means sustainability – in its honest meaning.
Culture has always been about human respect, tolerance. It’s not only about accepting human diversity but it’s about searching for the beauty of every human peculiarity.
Inclusion is the first value that defines art. Culture today means one thing only: to be part of a community, to think as a community.

Reading Lampoon, you see that these themes are smoothly aligned. A good part of the articles’ content discusses practices to restore our environment and stories about understanding the others.
Reading Lampoon, you find a dialogue between science and creativity. From sharp and edgy photo sessions to fashion, architecture, technology – the commitment is dedicated to a future that is all about us – together.

LAMPOONMAGAZINE.COM is an independent online magazine, properly listed at the Milan Court Register of Press, number 407 / 19 December 2014

The magazine is released by LAMPOON PUBLISHING HOUSE S.r.L.
Italian VAT number 08934300966 – Milan R.E.A. (Economic and Administrative Index) number 2057081 – Italian R.O.C. (Register of Operators in the Communication Field) number 26800 / 8 November 2016 – Copyright 2019 © Lampoon Publishing House. All rights reserved.