Transmediale, Berlin. A reflection of technology occupying socio-political discourse

Founded as VideoFilmFest in the context of Berlinale’s International Forum of New Cinema in 1988, the festival takes notion of the possibility of refusal, drawing a vision of hope

ReA! Art Fair, Milan. Switching from galleries to artists under the guidance of twelve women in art

Investing in artists and not galleries. A guide through the exhibition to reveal the initiative organized by a group of women who aim to reshape the art market

Dubai Design Week, Dubai. Reconnecting culture, history and people in public space

The sixth edition of the trade fair focuses on the conversation around the COVID-19 pandemic taking place in physical and virtual events across a program of over 150 activities

Artissima Unplugged, Turin. The new incarnations of contemporary art

Global uncertainty has convinced the fair to go ‘acoustic’ and reinvent itself by combining exhibitions with digital projects

Festival Visioni dal Mondo, Milan. The Italian capital of the documentary

In conversation with Francesco Bizzari, the founder and director of the International Documentary Festival Visioni dal Mondo, which was held online this year

WHITE Milano 2019. The Italian retail model is successful around the world

Its strength lies in small companies, which find a showcase at WHITE Milano. This year’s highlights include sustainability and a project involving 12 buyers and 12 designers

The International Documentary Festival 2019, Milan. Hans Pool presents “Bellingcat”

Hans Pool presents his docufilm Bellingcat. The debate sheds light on how professional journalism can counteract the invasion of fake news online

Festival Mix 2018, Milan. A conversation with Trudie Styler

I meet Trudie in her dressing room, she smiles, she is tall, the floral blouse inside a blue pleated skirt. There is a welcome cocktail, and a pair of scissors – the label of the bra torments her

MIA Photo Fair 2018, Milan. Enhancing the effect of the memory drawer

The 2018 edition gives the impression is that it has put aside the excesses of experimentalism and the rounds of beginners, focusing on the charm and quality of ‘classic’ photography