Like in the drama of Faust, ambition seeks instant gratification: no matter the cost while pushing the payment ahead of us
«The series was shot exactly one year after the first lockdown in the same flat I lived it in» reflections on Alexandre Haefeli’s photoshoot
«Chinoiserie possesses a sense of wonder, even if tinged by some sadness. I start from this, to express the amazement it communicates to me» – Richard Saja made the toile of joy from the toile de Jouy
WE DON’T KNOW WHAT WE’RE BECOMING YET
BUT WE KNOW WHAT WE’RE LOOKING FOR
458 PAGES
RECYCLED PAPER, NO COATED
COVER IMAGE MARIE TOMANOVA
IN CONVERSATION WITH
HERON PRESTON
GIORGIO ARMANIHAKAN KARAOSMAN
DAN COLEN
REINER HOLZEMER
CYRILL GUTSCH
IAN MASSEY
LAMPOON PUBLISHING HOUSE SRL | R.E.A. DI MILANO N. 2057081
I.V. TRATTAMENTO DEI DATI © LAMPOON 2019
WE DON’T KNOW WHAT WE’RE BECOMING YET
BUT WE KNOW WHAT WE’RE LOOKING FOR
IN CONVERSATION WITH
HERON PRESTON
GIORGIO ARMANI
HAKAN KARAOSMAN
DAN COLEN
REINER HOLZEMER
CYRILL GUTSCH
IAN MASSEY
LAMPOON PUBLISHING HOUSE SRL | R.E.A. DI MILANO N. 2057081
I.V. TRATTAMENTO DEI DATI © LAMPOON 2019