Art as a combination of cultures, inspirations and creative expression. Bizhan Bassiri: «To focus, I prefer to be in a place as if it were on the moon»

Fotografia ed ecologia: la storia sui materiali utilizzati per il suo sviluppo diventa un racconto di politiche capitaliste, di sfruttamento di risorse naturali e animali

Rupture started a renovation that uncovered the original structure of Le Corbusier’s idea – they decided to use only glass, cement, and ceramic materials for the store

«Institutions, despite the many cultural battles, have not yet separated artistic craftsmanship from the generic profession of craftsman». Ugo La Pietra for Lampoon

«Cuba: è un colore, è come tornare in un film degli anni Cinquanta, è tutto fermo, immobile»: trenta immagini in bianco e nero per raccontare l’amore per la propria terra

Art is not fixed: Sodi’s pieces change according to the environment – and people – they are exposed to. Bosco Sodi unveils the latest show at Palazzo Vendramin Grimani in Venice

Il Latte dei Sogni a Max Ernst, un anno dedicato al Surrealismo – il movimento nato a Parigi negli anni Venti sta per compiere un secolo e l’Italia dell’arte ha già iniziato a celebrarlo

The third Eliasson’s exhibition at Castello di Rivoli stems from the desire to intercept the Scandinavian interest in ecology and environmental sustainability by creating an ongoing dialogue with nature

The thing with power is what do you do with it. Competition and bullying are a part of Nature, and our nature. Sebastiano Mauri talks with Lorcan O’Neill and Julian Bedel 

British artist Jeremy Hutchison and Belgian curator Evelyn Simons present The Never Never, second chapter of Driftwood, or how we surfaced through currents (2017) supported by Fondazione Prada