In conversation with gallerist Patrick Seguin, who in 1989, founded his Jean-Nouvel-designed gallery — 300 square meters of Jean Prouvé, Pierre Jeanneret, Le Corbusier, Charlotte Perriand, and Jean Royère
Tabouret primes her canvases with a layer of fluorescent acrylic paint. Painting is mostly about caring, and therefore, a radical — even political — act
A conceptual space to illustrate a journey through the language of shape and matter; a way to discover and to advance, on the edge between the past, present, and possible futures
Aiming to bridge the gap between folk and modern, Craft Contemporary symbolizes the dynamism of craft. «We wanted to communicate to the public that craft can be a conveyor of progress»
A curated program of exhibitions and events has turned the archaeological complex of Italian industry that is OGR Turin into a reference hub for culture and technological research
«The exhibitions are not isolated episodes but chapters of a single story we hope will lead to unprecedented perspectives». In conversation with La Fondazione Curator Pier Paolo Pancotto
Catherine de Medici and her personal perfumer, Renato Bianco, brought the tradition of using aromatic blends to the French court in the early Renaissance
![Olafur Eliasson, La tua ombra incerta (colore) [Your uncertain shadow (colour)], 2010](https://lampoonmagazine.com/wp-content/uploads/2020/06/bilbao-images-gugghemein.jpg)
Whether or not he belongs in a museum, it’s due time Olafur Eliasson made it to Bilbao, one would say. If only his stay could be as permanent as his fellow stars
Walead Beshty’s monographic exhibition ‘Industrial Portraits’ represents people in their function and professional role in the art world
Former slaughterhouse of the city the building exemplifies the industrial architecture of the 19th-century
