Les Abattoirs, Toulouse. An art cathedral in Occitanie once referred to as a slaughterhouse
Former slaughterhouse of the city the building exemplifies the industrial architecture of the 19th-century
Former slaughterhouse of the city the building exemplifies the industrial architecture of the 19th-century
Finding a location with a street-facing window was a condition set, looking to grant them visibility and devise collaborations with artists and practitioners
Unknown artist from the Sixties and Seventies are introspected before being displayed at the gallery of P420, Bologna
«Garage’s unit of measure is humanity». From the ruins of the former ‘Seasons of the year’ restaurant, the private museum in Gorky Park is a reference for the cultural status of the city
Founded in 1975, – Forty-five years of supporting, displaying, and preserving Berlin-made art – Berlinische Galerie. In conversation with Curator and Director, Dr. Thomas Köhler
Llandudno, a seaside town on the Northern Wales coastline, Lady Augusta Mostyn, gave the first donation – in 2010, the gallery reopened its doors after a £5 million refurbishment
In conversation with director Renée Price on the promotion and preservation of a foreign culture in the United States through art and crafts
A revived space encouraging a dialogue between the contemporary and the medieval, from the growing art collection to the hosting exhibition spaces
On view at the Guggenheim Museum Bilbao until January 10, 2021, is Lee Krasner: Living Color, a solo retrospective of the American pioneer of Abstract Expressionism. Introduced to the press via a virtual tour on YouTube
A spiral-shaped glass pavillion in Le Brassus hosts a collection of timepieces spanning over two centuries of watchmaking history
A space between old and new Amsterdam, showcasing the new perspectives of visual arts and allowing artists to ripen
In conversation with gallerist Patrick Seguin, who in 1989, founded his Jean-Nouvel-designed gallery — 300 square meters of Jean Prouvé, Pierre Jeanneret, Le Corbusier, Charlotte Perriand, and Jean Royère
A conceptual space to illustrate a journey through the language of shape and matter; a way to discover and to advance, on the edge between the past, present, and possible futures
Aiming to bridge the gap between folk and modern, Craft Contemporary symbolizes the dynamism of craft. «We wanted to communicate to the public that craft can be a conveyor of progress»
A curated program of exhibitions and events has turned the archaeological complex of Italian industry that is OGR Turin into a reference hub for culture and technological research
«The exhibitions are not isolated episodes but chapters of a single story we hope will lead to unprecedented perspectives». In conversation with La Fondazione Curator Pier Paolo Pancotto
Catherine de Medici and her personal perfumer, Renato Bianco, brought the tradition of using aromatic blends to the French court in the early Renaissance
![Olafur Eliasson, La tua ombra incerta (colore) [Your uncertain shadow (colour)], 2010](https://lampoonmagazine.com/wp-content/uploads/2020/06/bilbao-images-gugghemein.jpg)
Whether or not he belongs in a museum, it’s due time Olafur Eliasson made it to Bilbao, one would say. If only his stay could be as permanent as his fellow stars
Walead Beshty’s monographic exhibition ‘Industrial Portraits’ represents people in their function and professional role in the art world
In a bid to restore luster to the worn and vandalized steps, in 2010 The Fruitmarket Gallery Edinburgh commissioned British artist Martin Creed, winner of the 2001 Turner Prize, with its restoration
At the White Cube in London, the largest of the bronze statues is 9 meters tall. The Mother is a series dedicated to Emin’s mom
Error leads to perfection; the quality of an artisan piece is based on experience, on case analysis, on manual skills handed down without theory, through hands-on learning
How much do we owe our fathers? The easy answer is ‘everything’. Exhibiting it well is a matter of art. Michelangelo Pistoletto on display in Biella
Collecting stories. Behind the clock mechanisms, two stories are linked to Milan: the education of Gian Giacomo Poldi Pezzoli and the commitment of the Pisa family
LIMITED BOOK EDITION PRADA RE-NYLON COVER
DIGNITY AND HUMANITY
CIRCULAR ECONOMIES AND GLOBAL FORESTRY
SUSTAINABLE MATTERS IN THE ANTHROPOCENE
DIGNITY AND HUMANITY
CIRCULAR ECONOMIES
AND GLOBAL FORESTRY
SUSTAINABLE MATTERS
IN THE ANHROPOCENE
the grafted
edited by stefano boeri
in conversation with
elizabeth diller
HANS ULRICH OBRIST
Mitchell silver
PIERRE ALExIS DUMAS
DIGNITY AND HUMANITY
CIRCULAR ECONOMIES AND GLOBAL FORESTRY
SUSTAINABLE MATTERS IN THE ANTHROPOCENE
the grafted
edited by stefano boeri
in conversation with
elizabeth diller
HANS ULRICH OBRIST
Mitchell silver
PIERRE ALExIS DUMAS
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