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Eugenia Pacelli

Art history student with a passion for artists’ books, photography and independent publishing. Graduated in Cultural Heritage Studies in Milano, she is now undertaking a Master’s Degree in History of Arts and Conservation of Artistic Heritage in Venice, with a focus in Contemporary art theory, critical studies, visual cultures and performing arts.

Lampoon
Leiko Ikemura’s evocative imaginary: cosmic landscapes and hybrid figures
Japanese-Swiss artist Leiko Ikemura showing in-between creatures and possibilities of representation of self in Riding The Waves at Tim Van Laere Gallery in Antwerp
McArthur Binion
In conversation with McArthur Binion: «my work is tremendously about hands»
«The hesitation is in the way I speak». American artist McArthur Binion challenges Minimalism art history by layering personal objects behind geometric grids
Forget the shock: pastel colors by Sébastien Notre – an inner urge that it’s not traumatizing
«I don't want to do things to shock people». Soft is often a synonymous of weak. Pastel colors allow the artist to show the contrast between strong images and soft...
Managing the territory and its complexity: Gian Maria Tosatti’s portrait of Europe
«I want to know. Not believe. Not guess. I want to know» – Gian Maria Tosatti: not knowing what’s going on in ones’ territory can be a choice, but when...
Mateo Arciniegas portraying her mother in New York
‘Domingo a las 4’ by Mateo Arciniegas Huertas: being Latin American away from Latin America
Mateo Arcniegas Huertas, together with ACOMPI displays sixteen photographs of the Latin American immigrant community on the Salgado Playground in Buskwick, where they meet, play soccer and found a way...
Flowers and Art: William Farr puts together flowers and waste materials
«It’s a statement on nature, detritus, about chaos and about human hunt». William Farr’s artworks questioning on materialistic obsessions and human assumptions