
MAGAZINE
This section brings together interviews, reviews, and photography from the print edition, offering a direct view of contemporary culture and creative practices. Each piece reflects the magazine’s approach: sharp, critical, and without unnecessary embellishment. Readers explore conversations with artists, designers, and thinkers, visual narratives through editorial photography, and reviews that examine books, exhibitions, and projects. Magazine documents the work behind ideas and productions, connecting content from paper to digital. It’s not a showcase – it’s a place to observe, question, and understand how culture is produced and experienced, through the lens of Lampoon’s editorial vision.
Porn outlasts chic: why Hodakova escapes the boredom of fashion
Between corporate dungeons and tired sustainability, Ellen Hodakova Larsson rescues fashion from beige — discarded materials and fetish imagery to build a world far outside the conglomerates' rooms
Why everyone in the room wanted to be a Celine man
While fashion keeps speaking an hermetic language, Michael Rider prefers the grammar of heat: skin, sweat, crumpled linen, and men who look like they live enough to wrinkle their own clothes
Between me and my Calvins: are we still so horny?
To say "it's so Calvin" is a way of saying you are looking at someone undressed and being made to want it — and that the wanting is the point
Closeness is a fiction: Marie Tomanova shoots herself daily for a year
Three Empty Weeks in July – at Harkawik, New York, through July 11, 2026: a durational body of work shot on a Fujifilm Instax Square SQ6 implicates the viewer in a constructed fiction of closeness
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We are afraid of losing images: photography in the digital age with Xiaopeng Yuan
From failed iPhone backups to printed photobooks, Xiaopeng Yuan explores the instability of digital memory and questions what remains when images become data stored inside endless archives
A body that refuses style: Ohad Naharin and the Engine of Gaga
Inside Batsheva Dance Company, Ohad Naharin pushes Gaga beyond technique – 30% power, radical control, repetition and chaos forging a body that refuses style
Back to the Antwerp Six: independence reshaped fashion once, why not today again?
Emerging in the 1980s, a group of six designers introduced a model of independent, designer-led fashion that shifted the industry from trend driven systems to authorial practices
Fashion underdogs: the time has come for a revolution
A violent aesthetic built on cuts and lacerations that critics would lazily reduce to the label "Hiroshima chic" – but Kawakubo was excavating something far deeper – the realm of the unconscious
Hannah Levy: why a prehistoric crab makes sense in her sculpture
With Blue Blooded at Museo Nivola, Hannah Levy turns the horseshoe crab — harvested for modern medicine since before memory — into the most coherent subject she has ever chosen
Roe Ethridge and the failure of good taste: images that refuse to behave
“The exhaustion of my eyes by Instagram.” Presenting Rude in the Good Way, Roe Ethridge traces two decades of work, from suburban images to hybrid compositions: fashion and visual culture

































