/ MAGAZINE
Through the lens of Lorenzo Venturini: Home Fetish unveils the ambiguous relationship between the self and domestic space, where comfort becomes obsession and everyday objects turn into fetishes
The more fashion capitals jump on the so-called sustainability requirements, rules and regulations, the more critics begin to wonder if a sustainable fashion week can ever exist
At the intersection of contemporary art and publishing, Ordet and its sister project Lenz Press champion a thoughtful, sustainable, and collaborative approach to cultural production in today’s accelerated world
As society chases constant novelty, —yet the value of honest endures. Sofia Zevi and the need to be critical, today when everything seems to have to be 'wow' on social media
- / Fashion
Collars embodied the split personality: one edge pressed and buttoned with couture precision, the other casually sprung upward. At Dior, Jonathan Anderson brings roughness into dialogue with polish
A provocation for Pride Month. Human activity pollutes, and bringing children into the world makes things worse: will same-sex couples be the saviours of the Anthropocene?
When it comes to sexual roles in the LGBTQ+ community, the terminology can get slippery. Exploring the meaning of power bottom and the alleged threat to masculinity
A custom mesh machine, recyclable metal, suede underlay, artisanal choices: Caterina Ravaglia for Kate Cate—no shortcuts to fast fashion
- / Fashion
A visit to Paul Smith's studio and a train trip to Nottingham the next day: for the first time, the complete archive in its catalog is presented to the public
White walls, invisible materials, global logistics: Art Basel 2025 lays bare the environmental paradox of art fairs, where aesthetic minimalism meets concrete consumption
- / Design
From scrapwood cabinets to masterworks: the story of a Dutch Designer who built a global creative ecosystem around circular design, teamwork, and manufacturing Integrity
From the green heart of Parco Sempione to the layered histories of Villa Tasca, Terraforma Exo 2025 turns architecture and landscape into instruments. An interview with founder Ruggero Pietromarchi
From Paris suburbs to Philadelphia stables, Mohamed Bourouissa interrogates the politics of representation and community in urban peripheries across twenty years of projects
Jenna Gribbon’s first solo show in Milan challenges the definition of looking, inviting the viewer to step into the artist’s place and inhabit her subjectivity
A collection of early 20th-century newspapers from around the world has been rediscovered at the Vatican Apostolic Library. The House of Dior is establishing a scholarship to study it
The Valentino Garavani & Giancarlo Giammetti Foundation unveils Orizzonti Rosso at PM23—an homage to the signature hue that defines their story. More than glittering parties and fairy-tale princesses, their vision once put Rome’s culture on the world stage
The power of statues lies in their resemblance to us. Any human body could be cast in stone or bronze. Yet, as Judith Butler reminds us, for a body to be monumentalized it must first matter
In Goodbye Hotel Michael Bible intertwines ecology and spirituality, exploring post-capitalist desolation. The novel invites us to see the world through the ancient lens of a nature destined to outlive us
Marie Tomanova recovers a photographic archive from the beginning of her career, challenging the norms of photography with a single 36-exposure roll of film
First-time and emerging participants reshape discourse, with Azerbaijan’s “Equilibrium” and Latvia’s border defenses challenging the Arsenale’s traditional Western narrative
Matteo Guarnaccia’s project challenges the global standardization of chair design: postures, materials, and practices shared between artisans, designers, and local communities
- / Fashion
Maria Grazia Chiuri ends her tenure at Dior with a show at Villa Albani and a string of Roman references: Mimi Pecci Blunt, Teatro Cometa, Pietro Ruffo’s zodiac, and the Torlonia Foundation
An implied contradiction: Formafantasma’s reflection on consumerism and Technological Obsolescence takes place in Venice at the Olivetti store—a primary reference for the purpose economy
- / cinema
From the fall of the Soviet Union to the arrival of the Beatles, the Romanian master filmmaker Andrei Ujică’s work draws on archival footage to depict the upheavals of the Twentieth century
The palazzina took shape within the milieu of a prosperous upper-middle class: the architects and key figures who reshaped the Eternal City between the 1930s and the 1980s
The rawness is being willing to take an L and take a risk and change something. Maybe it'll make you less popular than you were before, but you're trying something new. Interview with Amanda Ba