The Daily Dispatch includes reviews and critical readings of books, exhibitions, photography projects, architecture, independent publications and cultural initiatives.
Each contribution connects individual work to a wider system of production, politics, technology and material culture.
Updated with new content every day, The Daily Dispatch extends Lampoon’s editorial research beyond the rhythm of the print edition.
It is a continuous journal of contemporary culture – grounded in evidence, direct observation and an interest in how things are made.
THE DAILY DISPATCH
The US(er): Marcel Top archives Trump-era government propaganda
We Will Not Be Stopped collects and verifies DHS and ICE posts, tracing how state violence is edited
Danny Boyle’s Ink: The film, the material and the industry behind it
Danny Boyle’s Ink opens Venice Film Festival 2026 with Rupert Murdoch’s story, but the real subject is the material behind the press industry
The right to disappear: nun core and the end of the hot girl summer
From Nun Girl Summer to the medieval Beguines, Melissa Febos's The Dry Season traces what remains when desire stops pointing toward someone else — and who, finally, it belongs to
The Algorithm and the Hating: how outrage became fashion’s invisible engine
From Crocs to Balenciaga, ridicule has accelerated trends rather than ended them. Three voices from inside the industry explain why — and what it costs
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Lampoon 33 – MECCANO
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Martino Gamper – Electa Design Series
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Incompiuto – The Birth of a Style
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BUTT Magazine Issue 37
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Clitoris: an intersectional perspective on sexual pleasure
Desire is never neutral. From the clitoris erased by theory to a $43 billion wellness market, who gets to feel pleasure safely, and who still doesn't
350 species in one seagrass meadow: how One Ocean Foundation operates
From the Caprera Canyon to Posidonia restoration in Cala di Volpe, One Ocean Foundation builds infrastructure for marine science — the exhibition As Above, So Below in Venice
Couture is a dog’s life, and Piccioli signed up at Balenciaga anyway
For fall-winter 2026, Pierpaolo Piccioli stages Balenciaga's fifty-fifth couture collection around a Cité Universitaire courtyard, fusing tailoring and flou to prove couture still breathes today
Unisex, androgyny, sex-less design: fashion has always been naked
From the androgynous Nineties to the gender-agnostic collections of 2026: fashion has spent a century trying to neutralize sex – but sex is stronger than fashion
Hugh Herr builds the cyborg: prostheses the brain feels and controls as its own
After losing both legs at seventeen, Hugh Herr turned limitation into design, engineering prostheses that seamlessly connect flesh, skin, nerves and circuits through bidirectional neural interfaces
Correcting, sculpting, selling: Fashion’s permanent construction site
For fashion low target brands, a Ford Mustang, a Coca-Cola bottle, and a female body obey the same logic: form, desirability, and market value. The industry's real economic engine
Porn outlasts chic: why Hodakova escapes the boredom of fashion
Between corporate dungeons and tired sustainability, Ellen Hodakova Larsson rescues fashion from beige — discarded materials and fetish imagery to build a world far outside the conglomerates' rooms
