Ibrahim Kombarji
Soil Sharing: Terra Preta, Biochar and early Bio-economies
What and how biochar has become a solution and economical market and what does it mean for us and the upcoming generations?
Cultivating our garden: exploring Humberto Campana’s design process
Constructing with nature: Humberto Campana's botanic garden project blossoms as a sanctuary for preserving biodiversity and fostering environmental education
Transcending a Club: Vitelli’s 14 Hour Cosmic Dream show
Vitelli’s presents its fourteen-hour Cosmic Dream fashion show within a rave. The knitwears crafted by Vitelli contextualized in their cosmic imaginary for Lampoon RuVido
From High-Fluorescent Tones to Haikus – Samuel Ross for Acqua di Parma
A scented flipbook, containing slits of images, sketches, and notes. The verbiage in the book is immediately accessible, in a Pantone like format
Cartier 13 Paix, Paris: métiers d’art – embroidery, lacquerwork and stone sclupting
Cartier 13 Paix, Paris: iconography with artisanal craftsmanship – reopening the flagship store
Mondo Reale: On playfulness, transversality, materiality and trajectories
Mondo Reale at Triennale Milano: a witty encounter with Formafantasma and Hervé Chandès at The Fondation Cartier, an attempt to disentangle complexities
Transparency means ‘to go beyond’ and ‘to appear’. Formafantasma in dialogue with Joseph Grima
«We recognie design processes to have an effect and determination, a form of transparency. I am a globalist when it comes to ideas» – Joseph Grima in conversation with Formafantasma
Can the monster speak? – Dr. Noémi Michel on the politics of voice alternative economies of attention
Monster derives from the Latin monstrare, to demonstrate. Dr. Michel’s methodology explores this notion of bringing forward shared realities of others and being transparent
