From her early days in New Zealand to becoming a leading voice in the fashion world, Hilary Alexander’s impact on the industry is unmatched like her personality

The fourth guest designer for the couture show since Gaultier retired, Ackermann tapped into the tailoring magic behind the house’s extravagant facade

Born from Lorenzo Bigatti’s lockdown boredom, NOIA Magazine embraces the creative possibilities that emerge when you look at things differently

Three students from Central Saint Martins created a fashion film centering a garment made of paper cups, eggshells and cornstarch – then buried it after filming

From Ghana’s independence to London’s transformation into a multicultural hub, Barnor’s photography tells the story of societies through people in the studio and on the streets

Embracing fun as a design philosophy. From Dadaism to Josef Albers, Markus Friedrich Staab reimagines his functional art pieces

Inbilico’s electricity consumption is equivalent to three days’ worth of domestic electricity use; from renewable sources. At the end of around four weeks, the lab-grown diamonds are ready to be cut and polished.

Witchy tones, carrots, and pumpkins set the stage for Puppets and Puppets’s new collection, with a theatrical feeling backed by a tap dancer

Opened by Charlotte Casiraghi on horseback, Chanel’s haute couture shows Virginie Viard’s own signature while paying homage to the history of the house and the 1920s scene

«Wherever I went, I went with myself, and I couldn’t escape the person that I was in all those different scenarios» – Jamie Sutherland on creating imagined realities as a catalyst for their final collection at CSM