Sebastian Zössmayr
From digital drift to material presence. How everyday matter became contemporary meaning. Art Basel Paris: a new stability
Dal caso Marola al decreto sicurezza, la filiera della canapa industriale attende una riforma che dia slancio e stabilità
L’uso dei materiali e il catalogo per Angelo Mangiarotti: la forma non si impone ma si ottiene per incastri, gravità e resistenza. Il libro Framing the Project (Corraini) ne ripercorre il gesto
As society chases constant novelty, —yet the value of honest endures. Sofia Zevi and the need to be critical, today when everything seems to have to be ‘wow’ on social media
No televisions, no digital clocks blinking in the dark, no refrigerator whirring at night. Il Capri Hotel reclaims the island’s soul through a sustainable way of being that refuses performance
A custom mesh machine, recyclable metal, suede underlay, artisanal choices: Caterina Ravaglia for Kate Cate—no shortcuts to fast fashion
A conversation with Ermanno Zanini, about reviving Jumeirah Capri Palace through the lens of design, contemporary art, and local craft
Jenna Gribbon’s first solo show in Milan challenges the definition of looking, inviting the viewer to step into the artist’s place and inhabit her subjectivity
The power of statues lies in their resemblance to us. Any human body could be cast in stone or bronze. Yet, as Judith Butler reminds us, for a body to be monumentalized it must first matter
Da Netflix e X Factor all’arte metafisica intrisa di riferimenti arcaici – Ludovico Tersigni è un artista randagio alla riscoperta della manualità: tra sculture e gioielli, ha trovato nuovo senso nell’artigianato
