Magazine
Only 30 percent of the Fashion Pact’s members have mapped their supply chains
Sonia Hylling: The main focus for a sustainable future is creating Net Positive impacts through disruptive innovations in design and system thinking for brands to become regenerative
Goppion — a Northern Italian network of craftsmen and co-makers
Whenever a high-value work is encased in a refined glass structure at a museum — freestanding, wall-standing, wall-mounted, or recessed — it is likely that Goppion is behind it
«Never show four white stitches in one image» – A talk with Jonathan Hallam
An interpersonal fascination between Martin Margiela and multidisciplinary artist Jonathan Hallam led to La Femme de Cabine – an homage to the House, fusing anonymity with ubiquity
Rely solely on the skill of the artisan is perilous for a designer – Ronan Bouroullec
«When you see your work has a social impact, people continue to work and to survive». Ronan Bouroullec on how centering the artisan can lead to a sustainable industry
Oway, Bologna. An Italian beauty brand supporting a circular business model
The ability to breathe life into used goods, reduce waste, promote sustainability. In conversation with Luca Laganà, CEO of Oway, the Italian sustainable beauty brand
Indian craft is beyond just supply – in conversation with Harikrishnan on craft, cuts, and latex
The Indian designer on creating a collection based on human imagery from the perception of his 14 inch family pug, looking up at the world around him
Lampoon, The Transition issue – Dr. Hakan Karaosman talking with Prof. Donald Huisingh
A cleaner and fairer supply chain: representation and inclusion are needed for the transition to a low-carbon circular economy
Lampoon / Transition – Maddalena Arcelloni: We mean it if we say it’s all about HER
The unbearable lightness of being a woman: a midway between meaningfulness and irony is used to explore the Dior ideal of femininity
