Santedicola, Piazza Imola, Roma: Gaetano Orefice and an abandoned newsstand in San Giovanni district: a small-scale cultural hub, adaptive reuse and sustainable design

Editorial introduction to the new issue of Lampoon, SOAP, available in bookstores and some of the best newsstands worldwide from October 2025: soap and pure water, souls and stains, microplastics and blood

Magazines span in volumes at Soho News International – showcasing a diverse set of titles in genres. Esoteric and well-known, catering to the wider sense of audience in the New York City area

Rodrigue de Ferluc reassembles Paris Match archives to question the meaning of images and their reuse —from glossy celebrity portraits to war reportage—in an era of algorithmic control

A publisher is someone who guarantees the context and the trust that this context promises: the publisher allows creative talent to freely express themselves always within a shared message

Aedicola is an independent newsstand and micro-publisher fostering print culture, civic engagement, and community life in a rapidly transforming Milan

A collection of early 20th-century newspapers from around the world has been rediscovered at the Vatican Apostolic Library. The House of Dior is establishing a scholarship to study it

Marie Tomanova recovers a photographic archive from the beginning of her career, challenging the norms of photography with a single 36-exposure roll of film

Weaving a bookshop, a publishing house, and a spirit of serendipity into an ever‑shifting cultural laboratory – Yvon Lambert is currently showcasing Distances, the new exhibition by photographer Romain Laprade

When you take a game-changing decision, you don’t understand what you’re doing. An interview with Joel Dicker, the worldwide bestselling author who decided to start his own publishing house, Rosie & Wolfe – an independent one