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Agnese Torres

Art and cinema lover, in 2015 she participated in a summer course on the contemporary art market at Sotheby’s Institute of Art, New York. Bocconi University graduated, she specialized in Arts and Cultural Management at Ca’ Foscari University. She had a previous work experience in marketing and business developement of cultural organizations, such as ÈCU-The European Independent Film Festival, Paris, and Creative Business Network, Copenhagen.

Architect Debora Bordogni and designer Claudio Acquaviva found in Val Seriana the perfect ecosystem for their design studio where methodology and research hold sway

The third Eliasson’s exhibition at Castello di Rivoli stems from the desire to intercept the Scandinavian interest in ecology and environmental sustainability by creating an ongoing dialogue with nature

British artist Jeremy Hutchison and Belgian curator Evelyn Simons present The Never Never, second chapter of Driftwood, or how we surfaced through currents (2017) supported by Fondazione Prada

The storm of progress theorized by Walter Benjamin takes the form of thousands of drawings and marks made in almost ten years by children and school students world-wide

A collaboration between the founders of TGDD and Fonderia Artistica Campagner puts Italian craftsmanship under the spotlight again

Carolyn Christov-Bakargiev in conversation with Michelangelo Pistoletto and Otobong Nkanga on the need to put art back at the center through a synergic cooperation with science and technology

«In the end the Metaverse will be a layer on top of reality», says Simon Barazin, architect based in Tel Aviv engaged in the exploration of the latest opportunities offered to users by the Metaverse

Andrea Grecucci and Kaisha Davierwalla, co-owners of the gallery, aim at providing their collector base with a 360 degree consultancy and an informal approach to curatorial practices

DRIP-LAB, Another-1’s latest project, brings the art of four international writers in the digital world turning their graffiti into NFTs

Nina Yashar: «We want to represent nowadays zeitgeist, which is hardly anymore about single choices, but rather about abundance, heterogeneity, medleys, opposites meeting, mixing and dialoguing»