Tag: The Art Field
Motors, fish and minor disasters: Yuko Mohri scales technology
From feather dusters to magnetic fields, Yuko Mohri rewires everyday objects into unstable systems where error generates knowledge and technology returns to human scale
From aero politics to salt architecture: Tomás Saraceno
In Salinas Grandes, El Santuario del Agua by Tomás Saraceno reimagines land art as a community-owned project rooted in water, salt, and Indigenous knowledge
Hannah Levy: why a prehistoric crab makes sense in her sculpture
With Blue Blooded at Museo Nivola, Hannah Levy turns the horseshoe crab — harvested for modern medicine since before memory — into the most coherent subject she has ever chosen
Roe Ethridge and the failure of good taste: images that refuse to behave
“The exhaustion of my eyes by Instagram.” Presenting Rude in the Good Way, Roe Ethridge traces two decades of work, from suburban images to hybrid compositions: fashion and visual culture
What you want from your body? Antony Gormley, iron and crawling
An interview with Antony Gormley. In What Holds Us, he stages a physical encounter with sculpture:“to become whole we have to be held. A tree has to be held in...
Chiara Yiontis draws circles, no sketch no plan
Each work is built through repetition: circles drawn one by one without sketch, where proximity creates structure and a single encounter can redirect a life. Chiara Yiontis for Lampoon MECCANO
Martin Margiela at the Kudan House: between the historic cedar and the void
Martin Margiela marks his first large-scale solo exhibition in Japan by treating a 1927 heritage residence as a site of memory and disappearance – a graft of Spanish Colonial Revival...
Goshka Macuga: when systems work too well power takes over
“Growing up with nothing trained me to build everything” – Goshka Macuga on memory, archives, AI, and why systems become dangerous when efficiency starts to override human truth
CAN Art Fair Madrid at ten: from urban art to a broader contemporary field
At Matadero, over 50 galleries and new sections such as CAN Design marked a shift from street-rooted practices toward a cross-disciplinary programme spanning art, design, and architecture
Jamie Diamond stages fictional families to challenge photographic truth
From Craigslist casting to Japan’s rental relationship services, Jamie Diamond hires strangers to stage families and paid interactions, documenting constructed intimacy
Tadashi Kawamata for Maison Ruinart: shaping reclaimed wood in the vineyards of Champagne
Japanese artist Tadashi Kawamata brings three permanent installations in salvaged wood to Maison Ruinart's estate in Reims, as part of the Conversations with Nature curatorial programme
Dries Van Noten on his foundation in Venice and The Only True Protest Is Beauty
A conversation on planning with water in mind at Fondazione Dries Van Noten as The Only True Protest Is Beauty maps 200+ works across 20 rooms at Palazzo Pisani Moretta—maintenance...
Funk Magazine, Köln: «We had planned for it to be a pop up in the initial plan»
Funk states that magazines published through independent means have a sustainable value to it – becoming pieces that can be archived by its owners
Stop Looking at Images: Photography Begins with Light, Time and Space
Bigaignon in collaboration with Rhinoceros stage a three-act project that rejects visual consumption, dismantles exhibition habits, and reframes photography as structure rather than image
We’re all eating from the same trash can: Jordan Sullivan and the Sick America
“Capitalism cultivates addiction and delirium – our souls were sold long ago.” A conversation with the painter Jordan Sullivan on marginal life and contemporary American experience
Holy water in plastic bottles: Crossover, Anastasia Sosunova and the crisis of belonging
A mass-produced white sock becomes a relic after touching Orthodox martyrs: artist Anastasia Sosunova and curator Chiara Nuzzi discuss fake faith and belief systems in Crossover at Fondazione ICA Milano
New York, no filter, Daniel Arnold after Instagram: You Are What You Do
Over the last two decades, American photographer Daniel Arnold has recorded moments of humanity on New York streets. His new book: You Are What You Do
OGR Torino: how a former railway depot became a center for art and innovation
OGR - the former Officine Grandi Riparazioni of Turin — a 35,000-square-metre industrial complex restored by Fondazione CRT — artistic experimentation and technological innovation
Mary Kelly: seventy years of global conflict through domestic life
On show at Pippy Houldsworth Gallery, Mary Kelly uses dryer lint, letters, and press fragments to trace how decades of global conflict leave their mark on the ordinary aspects of...
Amanda Wall turns to the bed—not for rest, but for resistance
In an era where everything digital dissolves into vapour, Amanda Wall insists on stains, scars, and brushstrokes that mark time and presence—We're leaving the rug, this is our life
Juergen Teller shapes Onassis Ready into a living exhibition: You are invited
Juergen Teller arrives in Athens not in a white cube: You are invited explores intimacy, archival work and new series within the unpolished framework of Onassis Ready, a former factory...
MASA Gallery, Mexico City: Brian Thoreen presents Non-Zero-Sum – collectible design
Founded in 2019 by Brian Thoreen, Age Salajoe and Hector Eraswe as a nomadic gallery – now a permanent space in the house that was formerly the residence of Federico...
A Journey Through Contemporary Art and Architecture on the French Riviera
At Fondation CAB Saint-Paul-de-Vence, Design Converges with Art and Architecture Saint-Paul-de-Vence: A Historic Village Meets Contemporary Art Situated in the south of France, Fondation CAB opened its second location in...
Perfection Kills the Person: Inside Hart Lëshkina’s Boy World Effigy II
In the multichannel installation at O–Overgaden, a historic Danish boys’ choir becomes a living metaphor for modern control. Boy World Effigy II by Hart Lëshkina dissects harmony, and the death...
Mircea Cantor and the Aleppo Soap – from destruction to the UNESCO list
The destruction suffered by Aleppo, migrations, bombings, and in the midst of all this Mircea Cantor discovered a humble material: Aleppo Soap, which in 2024 was inscribed on the UNESCO...
Anthea Hamilton: Oil makes everything slippery – soap brought the idea back to earth
Anthea Hamilton reflects on the role of tactility in her installations, from quail eggs and bondage rope to plush pumpkins and perfume
Maurizio Cattelan: Art is not a detergent. It doesn’t clean, it stains
An interview with Maurizio Cattelan: art shouldn’t wash anything away. I don’t want people leaving reassured or clutching a moral. If something sticks, let it be friction
Inside Mater, the Peruvian center blending ancestral knowledge and science
In Peru’s Sacred Valley, Mater studies native species and climate data to preserve ancestral agricultural knowledge. Photographer Gaia Anselmi Tamburini translates this research into a visual record
Amit Berman turns pain into softness
I work in a messy, dirty way. Beneath the roughness of grainy canvas and cadmium underpainting, Amit Berman stages male nudity as a zone of negotiation – trauma and tenderness,...
Found objects, fabrics, flesh: Art Basel Paris and the return of materiality
From digital drift to material presence. How everyday matter became contemporary meaning. Art Basel Paris: a new stability
François Berthoud: mistakes are one of the things digital tools can’t offer
Blending traditional tools and contemporary technology, artist illustrator François Berthoud carves linoleum plates by hand, uses vegetable-based ink and plays with net distortions, celebrating process over product
Les Lalanne — originality in an era of covers and revivals
For François and Claude Lalanne, a hippopotamus becomes a bathtub. Whether at an exhibition or an auction, this is how collectors' obsessions start
35 years of Galleria Continua: “we’re ordinary people, without powerful families behind us”
Interview with Lorenzo Fiaschi, Maurizio Rigillo, and Mario Cristiani of Galleria Continua on 35 years of activity: short supply chains, slow routes, reuse, and CO₂ in San Gimignano
Trees and city: Khao Yai Art Forest and Bangkok Kunsthalle
From the reuse of a burnt printing house to a forest-laboratory: Stefano Rabolli Pansera recounts Khao Yai Art Forest and Bangkok Kunsthalle through reforestation, renewable energy, water monitoring, and material...
Palazzo Grassi – Punta della Dogana, Venice: a 2023 of art and events on the Grand Canal
Chronorama, a show dedicated to Twentieth century photography, and Icônes, a collective exhibition featuring works of the Pinault Collection that develop the theme of spirituality – in conversation with Mauro...
Post-plastic imaginaries: Sarah Schönfeld and the ecological politics of cleansing rituals
Ideas of cleanliness frequently conceal underlying cultural fears: anxieties about control, the illusion of purity, and the unsettling reality of the body as an open, porous system. Schönfeld responds to...
Linder Sterling: the ultimate recycler of pornographic imagery
An interview with artist Linder Sterling – armed with a surgeon’s scalpel, she cuts away at imagery from magazines to create visual narratives exploring the body and mind of feminism
Pol Anglada on Tom of Finland, Anonymous Johns, and Queer Eroticism
From Tumblr awakenings to Tom of Finland’s ghosts, Pol Anglada’s drawings spit in the face of sanitized queerness and dare to stay raw—hair, sweat, rough bodies and fragile intimacies sketched...
Venice as a Site of Intent: How Three Paris-Based Galleries Are Reshaping the Contemporary Art Landscape
Rooted permanently in Venice, three Paris galleries recast the city as a dynamic hub of ongoing contemporary art dialogue.
Mexico’s cherished artists: Museo Casa Estudio Diego Rivera and Frida Kahlo
Commissioned by the couple from the architect Juan O'Gorman in 1931, Diego RIvera and Frida Kahlo lived in the estate until 1934
Alex Black and the Performance of Beauty in an Age of Visual Saturation
Through staged photography and AI-generated symbols, Canadian director Alex Black reimagines identity and desire—while exposing the unsustainable systems behind how beauty is made and sold.
Culture, Craft, and Design Inside the Medina
IZZA Marrakech, a boutique hotel where architecture, contemporary art, and cultural collaboration redefine sustainable hospitality in the heart of the Medina
There’s no room for maximalist lines in studioutte’s work
Patrizio Gola and Guglielmo Giagnotti reject sustainability as a trend: it should be inherent to design. Archetypes, simple forms, and a refusal of decor
Europe Matters: Walter Guadagnini discusses Fotografia Europea 2023 in Reggio Emilia
The program also includes OFF circuit, the free and independent section of Fotografia Europea enriched by the initiative of individuals, galleries, associations and public and private institutions
Indigo Identity: Stacey Gillian Abe’s Exploration of Memory
Through materials and autobiographical themes, Stacey Gillian Abe creates works that examine Black identity and reconstruct historical narratives
Not more, but deeper: Ordet’s curatorial and editorial vision
At the intersection of contemporary art and publishing, Ordet and its sister project Lenz Press champion a thoughtful, sustainable, and collaborative approach to cultural production in today’s accelerated world
