«Crochet, once considered the symbol of patriarchy, turned into a feminist symbol of independence, becoming itself a manifesto to wear» – Marco Rambaldi, Bologna and the LGBTQ+ community

Cecilie Bahnsen emphasizes that the collection is a symbol of how the work evolves in the atelier and she wants to tell the story of each piece until it arrives on the runway

A phygital approach to the customer – Ralph Lauren’s project with House 888 is part of the brand’s broader reflection on the experiential possibilities offered by Web3

«Banality is like entropy; everything collapses into it in the end», So begins the letter with which Jezabelle Cormio kicks off her disturbing critique of contemporaneity

Why does the art world shy away from reflecting on climate change through artworks? Dieter Roelstraete curated the show Everybody Talks About the Weather at Fondazione Prada in Venice

Spazio Meta, La Réserve des Arts, Materials for the Arts. The repurposing and reuse of objects and props used by fashion brands in the circularization process of the industry

MSCHF collective want to mock capitalism by leveraging pop culture, but they end up feeding it – the mini bag is visible only under a microscope and is a little bigger than a grain of salt

Cosmopolitan cities are homogenized, suburbia is experienced as a disgrace: a topic addressed by Italian fashion designer Federico Cina

The case of stop in production of Mylo, an alternative and ethical material created by Bolt Threads has created a stir: why does fashion still put little effort?

There are plenty of designers who have trained in architecture and industrial design, such as Raf Simons, Tom Ford, Gianfranco Ferré – dubbed the fashion architect, and Virgil Abloh himself