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Editorial Team

The Editorial Team at Lampoon Magazine works for a precise journalism, proceeding with reporting activities - for any inquires, please be in touch with us at info@lampoon.it

For DJ Clara 3000, the dancefloor is a space for political resistance — a radical alternative to a music industry increasingly driven by branding, repetition, and the erosion of artistic freedom

Transforming blocks of dry clay into performative terrain: physical improvisation, self-timer photography, and material friction shape Isabelle Wenzel’s creative process

Late photographer Daniel King’s work stands as a document of his approach: quiet, exact, wide open. The road trip wasn’t about reaching a destination

Boulogne-Billancourt as a case study for urban rewilding in Europe, where past industrial landscapes are giving way to green regeneration, spontaneous vegetation, and unplanned ecosystems reclaiming built environments

Photographer Akila Berjaoui and Clément LaGuardia uncovered the quiet resilience of Tunisia’s shepherds — revealing a raw portrait of ancestral living, slow fashion

Lorenzo Zandri captures the spontaneous vegetation growing across London’s built environment—plants that resist control 

How the realities of sex work, political performance, digital self-surveillance and aesthetic anxiety expose the contradictions at the heart of contemporary identity

I’m not living an environmentally conscious life. I eat factory-farmed animals. I’ve flown to the other side of the planet to DJ one event, not even slept and flown directly back home. It’s disgusting. Survival is disgusting

From original frescoes to lava stone, oak, and Krion, Romeo Roma reworks historic surfaces through formal restraint, calibrated materials, and site-specific architectural choices Romeo Roma: a monument with many lives from Gaddi to Hadid Before Romeo Roma became a boutique hotel, it was a palimpsest of Roman history, aristocratic ambition, and ecclesiastical function. Located on […]

Through the lens of Lorenzo Venturini: Home Fetish unveils the ambiguous relationship between the self and domestic space, where comfort becomes obsession and everyday objects turn into fetishes