Ali Omar Ermes art served as a bridge between these Libya and Europe, transcending walls of discord, and promoting a sense of mutual appreciation and respect

Acceptance of social fatalism. Hicham Benohoud’s images show the social abyss from which many Moroccans suffer, not in a miserabilist way but rather in a plastic or artistic way

A Mexico residency for British designer Bethan Laura Wood: «It’s brutalist architecture, but it also has a big conversation with the pre-Hispanic architectural detailing»

As a former marketing student, Filip Custic questions the risks of capitalist culture, which argues that existence is more valuable if it can be monetized

«Stadiums are elements completely detached from the cities. They should live each day and each week of the year» Massimiliano Fuksas reflects on sport buildings

«Art is a tool. As an artist I need to see with my own eyes, think with my own brain, in all circumstances even when global events affect me» – Thomas Hirschhorn

«Valuto tante commissioni, ma non posso dedicarmi a tutto. Il denaro? Una risorsa, ma anche un’ancora per un artista». Jago e le potenzialità del marmo, tra pieghe, muscoli e imperfezioni

Liao Wen for Bodies and Souls, a group exhibition for Cassina Projects curated by Manuela Lietti and in collaboration with Capsule Shanghai

Fast lines, colors and acrylic paint for contemporary portraits between drawing and painting, in balance between Peruvian roots and Belgian education

Art as a combination of cultures, inspirations and creative expression. Bizhan Bassiri: «To focus, I prefer to be in a place as if it were on the moon»