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Glesni Trefor Williams

University of Bologna Master's graduate in Arts and Culture Management, experience in various contemporary art scenes including La Biennale di Venezia, Fondazione MAST and Peggy Guggenheim Collection. Her writing focuses on the evolution of contemporary visual arts and their interlinked exhibition spaces.

I travelled from Italy to the Meteorology Department at the University of Helsinki in Finland to study the arctic climate, its temperature, wind speed and humidity, to understand which materials could be incorporated in the artificial sun

In conversation with Gian Maria Tosatti. A reflection on the Italian industrial landscape and man’s relationship with his immediate and less-immediate environment

Visual artists David Spriggs and Regine Schumann discuss the role of transparency, both in its physicality and concept: fFrom material, to object, to luminance constraints

«Online everything becomes flat, which is how many people consume art today and I think my paintings work well seen via the digital». Bringing back the still life for digital consumption

Former architect turned visual artist, Tatiana Brodatch explores love and nudity: «My plasticine people are the actors. The photographs and the stop-motion are the play»

«My work is about pain, accepting it, going with the flow of pain, to not feel it, not be affected by it, and this has been my work for over thirty years»

«We came in as strangers and we left as family»: The The Kingdom Choir was on stage in Milano, in Via Spiga, for a celebration made possible by Ralph Lauren

«Don’t consume the future, consume responsibly», Oway’s commitment to go beyond with sustainable cosmetic products, design and distribution

Our blasé attitude towards the overuse of technology, can in turn become state surveillance, mass collection of personal data

Flowers for Africa is the winning project of the Prix Marcel Duchamp. Kapwani Kiwanga is urging the public to question existing historical narratives in African decolonization