Maria Hristina Agut
«It can become a concept of above and below, of visible and invisible, of natural and artificial». Observing the gap in between and the threshold in creation
Fabio Quaranta: interdisciplinary collective instead of fashion brands, archives instead of collections – «I felt the need to lose the authorial, individual aspect»
Spring Studio introduces Guglielmo Poletti’s work. The designer aims to display style as a derivation of structure. Construction becomes a meaningful aesthetic
What to expect from creative merging with artificial intelligence? A conversation with Roberto Rigon, the creative director that already uses it in editorial design
«I also feel compelled that the time has come to allow others to have a voice» Naomi Accardi traces a path for sports and fashion storytellers
With an ode to Catherine Deneuve, the 76th Cannes Festival in France remains a closed-circle ceremony. The Jury presided by Ruben Östlund looks for innovation
To speak about your country when you can’t speak about your lover’s body. Before leaving Iran, Malakuti faced censorship as much as appreciation as a theater critic
The coronation of King Charles portrays an ever-growing fascination with power and sovereignty in a West-centric culture. Real life and its best scenography
A last bow to the designer who impacted contemporary aesthetics and pioneered the creative director part – Karl Lagerfeld at the Met Gala reduced to a cliché
«It’s kind of an ideal membrane for you to be protected, to feel confident, to collect emotions in». Julie Pelipas discusses creating a relationship with garments