A jewel depends on the level of exhaustion of its creator. Métiers d’art: the art of carving stones and gems in high jewelry – calling it ‘glyptic’ may be reductive, notes Philippe Nicolas

L’arte di scolpire pietre e gemme, in conversazione con il Maître d’Art della glittica, Philippe Nicolas – una forma d’arte tutelata da Cartier

Climate actions solution – French activist Camille Étienne and sound ecologist Bernie Krause confront in a dialog about Anthropophony, geophony, technophony

In today’s landscape, what does it take to bring a brand from sleeping beauty to avant-garde status? Nicolas di Felice opening the doors of Courrèges to a genderless community

«To strive for something that is a bit technically ‘uncomfortable’». Francesca Amfitheatrof and the Spirit high jewelry collection. Louis Vuitton’s most robust endeavor to date

Macarons, licorice, marzipan and exotic fruits ignite our appetite for Cartier’s high jewelry collection, Beautés du Monde in a photoshoot by Maisie Cousins

Botanica, Tiffany & Co. 2022 Blue Book, honors Louis Comfort Tiffany’s interest in nature and floral motifs. Showcasing the company’s predilection for gemstones and technical proficiency

A review with some of the artistic directors and CEOs explains why January presentations in Paris are now as successful as July ones

The Director of Chanel’s Fine Jewelry Creation Studio describes the journey that led him to Collection N°5 Grasse, its jasmine and May rose fields, and the pink, red and yellow tones of the Mediterranean 

The Hexagon Cuff: the human mind envisioned it, technology made it possible, and a leap of faith was the catalyst. Time is not of the essence, prototyping is key