One of the most common mistakes made by fashion houses when using specific traits from another culture to which they do not belong, is the non-admission

Cosima Gadient and Christa Bösch are ripping and burning the fashion playbook in a most literal sense, creating garments that do more revealing than concealing

Delhi, India. The setting of local artisans and the combined zeitgeist of east and west by the Indian designer distinguishes his creations by encompassing the additional element of social commitment

A collaboration that resonates with how the Eastern bloc used to work under communism. «Haute Couture houses should look into waste for innovative luxury fabrics» – Aleksandra Sipa

Eve Corrigan uses materials that are harder to weave, she has to use much older styles of looms that run more slowly. «I’m not interested in quickly mass-producing five-euro textiles»

LVMH brands luxury deadstock fabrics at competitive prices: the project is committed to support a circular fashion economy model

Guided by Cardin’s idea of space, Yovanovitch’s perfectionism and attention to detail bely the interior’s surface wit and whimsicality. «The dress is a vase which the body follows»

Ossibenzone ed octinoxate, ingredienti comuni delle creme solari sul mercato, provocano lo sbiancamento dei coralli. Le protezioni reef safe a base di zinco e titanio sono un’alternativa

Siamo capaci di riciclare le materie di scarto, ma in Italia non produciamo più materie prime: una contraddizione che oggi potrebbe diventare una speranza

A changing industry and changing times. Photographer Chris Moore, a pioneer of runway photography, discussed the ups and downs of six decades spent in front of a camera