‘Suelo Orfebre’. An analysis of the local identity through material choice, working with craftsmen and connecting with communities in the mining community of Marmato by Simón Ballen Botero

Gabrielle Chanel had a love affair with Byzantine and Oriental aesthetics: in a new high jewelry collection, Patrice Leguéreau revisits the city where it all began

Rosa Centifolia, the ‘hundred-leaf rose’, becomes a template: this time, RoseDior focuses on open work for the leaves and chiseled gold for the branches

Can a jewel evoke an artwork such as The Ecstasy of Saint Teresa by Gian Lorenzo Bernini? Is it possible for a necklace to replicate fur? What about the crumpled effect of tie-dye?

The marble façade of Museo Correr becomes a cascade of molten gold – Dior’s hymn to the Venetian Republic and to culture and ethics

The Baroque aesthetic is revisited through Bvlgari’s contemporary filter versatility, rewriting the rules of high jewelry design and manufacturing

The Grande Mademoiselle’s baroque austerity and the romantic aura of Caspar David Friedrich and paintings by Friedrich von Amerling – juxtaposed to Grace Jones dancing at Le Palace