The American artist Lily Stockman is the first woman to exhibit at Maison La Roche – with an exhibition that follows her “obsession” with Le Corbusier, blending Greek mythology and a shared past in India

A robot – a stuffed dog – following training related to the description of the works, is able to produce an analysis together with ChatGPT – its observations are ironically expelled as if the dog pooped

Fuori dai siti principali della Biennale di Venezia ci sono i padiglioni esterni e le mostre collaterali: Grenada con No man is an island, l’Oman con la forza delle donne, vita e colore dallo Zimbawe

The Cosmic Garden exhibition at the Venice Biennale is committed to the emancipation of women through craftsmanship – with the support of Dior. A dialogue with Karishma Swali, from the Chanakya School of Craft

The Max Mara Art Prize for Women presents Dominique White’s work Deadweight – found objects gleaned from shipyards, such as sails, ropes and chains, retracing Black Diaspora and human fragility

For A Feral Commons, Muhannad Shono studied unnoticed ecologies in Dubai’s urban Alserkal Avenue. He applied his rebellious manifestation philosophy to the industrial Al Quoz area

Siamo tutti stranieri, e gli stranieri sono ovunque. Straniero, può vuol dire strano, forse l’opposto di stereotipo. Revisione ruvida, forse provocatoria, della 60° Biennale d’Arte di Venezia

In Self-Portrait as a Coffee-Pot the South African artist reflects on humanity in a close dialogue with his alter-ego, a metaphor for the artist’s critical eye

Perché il Salone del Mobile, la Biennale di Venezia e il Vinitaly a Verona sono caduti tutti e tre nella stessa settimana di aprile, perdendo occasioni e indotto? Di chi è la colpa?

Ai Weiwei returns to Italy with the exhibition Neither Nor at Galleria Continua in San Gimignano, Tuscany. Between lego, antique stools and criticism to art critics, the artist confirms to be a maverick thinker