The digital space has transformed the way we perceive, value, and circulate culture, and we[dot]art intervenes as a counter-proposal of accessibility

Santedicola, Piazza Imola, Roma: Gaetano Orefice and an abandoned newsstand in San Giovanni district: a small-scale cultural hub, adaptive reuse and sustainable design

From digital drift to material presence. How everyday matter became contemporary meaning. Art Basel Paris: a new stability

Established while he was completing his second master’s degree, Shahidi founded Avril 50 as a response to the lack of stores carrying magazine publications and academic journals that catered to students’ needs and wants

«In French, smoke signals means signaux de fumée – communicating through smoke signals – how I see newspapers and magazines as a tool to share and disseminate information today»

Magazines span in volumes at Soho News International – showcasing a diverse set of titles in genres. Esoteric and well-known, catering to the wider sense of audience in the New York City area

The seventh edition of Lake Como Design Festival examined waste, material honesty, and circular practices, showcasing how designers rethink resources today

In a city where economic crises have erased much of its printed culture, Hyper Hypo works without a business plan, without trend reports, and without the safety of predictable sales

Aedicola is an independent newsstand and micro-publisher fostering print culture, civic engagement, and community life in a rapidly transforming Milan

Two stories coming together: Vroman’s Bookstore and Book Soup are held under the same management, with the common mission of being a ‘hodgepodge for diversity’