/ Review

/ Fashion

Maria Luisa Frisa and the political value of fashion

Fashion needs a political message: activism, disruption, obsession – fashion is no longer just a creative matter. The responses of Maria Luisa Frisa

/ Design

There’s no room for maximalist lines in studioutte’s work

Patrizio Gola and Guglielmo Giagnotti reject sustainability as a trend: it should be inherent to design. Archetypes, simple forms, and a refusal of decor

/ the art field

Indigo Identity: Stacey Gillian Abe’s Exploration of Memory

Through materials and autobiographical themes, Stacey Gillian Abe creates works that examine Black identity and reconstruct historical narratives

/ Humanities

Home Fetish: a Visual Exploration of Obsession, Comfort, and Domestic Rituals

Through the lens of Lorenzo Venturini: Home Fetish unveils the ambiguous relationship between the self and domestic space, where comfort becomes obsession and everyday objects turn into fetishes

/ the art field

Not more, but deeper: Ordet’s curatorial and editorial vision

At the intersection of contemporary art and publishing, Ordet and its sister project Lenz Press champion a thoughtful, sustainable, and collaborative approach to cultural production in today’s accelerated world

/ Humanities

Twenty years of women’s art revealing the fractures of our time

From trauma to care, absence to collective memory: The Max Mara Art Prize for Women as a space of production, reflection, and resistance in European contemporary art history

/ Fashion

Jonathan Anderson’s Dior: Merging Raw Edge with Classicism

Collars embodied the split personality: one edge pressed and buttoned with couture precision, the other casually sprung upward. At Dior, Jonathan Anderson brings roughness into dialogue with polish

/ Humanities

Who is the power bottom? – phenomenology and terminology of a sexual role

When it comes to sexual roles in the LGBTQ+ community, the terminology can get slippery. Exploring the meaning of power bottom and the alleged threat to masculinity

/ The Sound Industry

Terraforma Exo 2025 explores sound as a tool for ecological transformation

From the green heart of Parco Sempione to the layered histories of Villa Tasca, Terraforma Exo 2025 turns architecture and landscape into instruments. An interview with founder Ruggero Pietromarchi

/ Humanities

Black Cowboys, Banlieues, and Beyond: Twenty Years of Mohamed Bourouissa

From Paris suburbs to Philadelphia stables, Mohamed Bourouissa interrogates the politics of representation and community in urban peripheries across twenty years of projects

/ the art field

Rainbows in Shadows by Jenna Gribbon: seeing and being seen

Jenna Gribbon’s first solo show in Milan challenges the definition of looking, inviting the viewer to step into the artist’s place and inhabit her subjectivity

/ The Publishing Industry

En Route magazine and the story of Cesare Poma: an exhibition at the Vatican Library

A collection of early 20th-century newspapers from around the world has been rediscovered at the Vatican Apostolic Library. The House of Dior is establishing a scholarship to study it

/ Fashion

Red, love, perfection and cruelty – Valentino and Giancarlo Giammetti

The Valentino Garavani & Giancarlo Giammetti Foundation unveils Orizzonti Rosso at PM23—an homage to the signature hue that defines their story. More than glittering parties and fairy-tale princesses, their vision once put Rome’s culture on the world stage

/ Humanities

Lucille Durez: Statues, Bodies, and the Politics of Visibility – Why Monumentality Still Matters

The power of statues lies in their resemblance to us. Any human body could be cast in stone or bronze. Yet, as Judith Butler reminds us, for a body to be monumentalized it must first matter

/ architecture

New Voices in Venice: Azerbaijan, Latvia, Lebanon and more at Biennale 2025

First-time and emerging participants reshape discourse, with Azerbaijan’s “Equilibrium” and Latvia’s border defenses challenging the Arsenale’s traditional Western narrative

/ Humanities

Cross Cultural Chairs: The Chair as a Form of Identity and Belonging in the World

Matteo Guarnaccia’s project challenges the global standardization of chair design: postures, materials, and practices shared between artisans, designers, and local communities

/ Fashion

Stories of power and sustainability: what does Avignon’s arc mean today?

Catholic chronicles and Louis Vuitton at the Palais des Papes: life in a dislocated center as a path to sustainability—Avignon, a UNESCO site, short supply chains, local jobs

/ Fashion

Maria Grazia Chiuri in Rome at Villa Albani: after nine years of activism at Dior

Maria Grazia Chiuri ends her tenure at Dior with a show at Villa Albani and a string of Roman references: Mimi Pecci Blunt, Teatro Cometa, Pietro Ruffo’s zodiac, and the Torlonia Foundation

/ biennale, Digital World, Ethical Entrepreneurship

Consumerism and Built-in Obsolescence, in Counterpoint to Adriano Olivetti

An implied contradiction: Formafantasma’s reflection on consumerism and Technological Obsolescence takes place in Venice at the Olivetti store—a primary reference for the purpose economy

/ architecture

Why Rome’s Palazzine Matter to Global Architectural History

The palazzina took shape within the milieu of a prosperous upper-middle class: the architects and key figures who reshaped the Eternal City between the 1930s and the 1980s

/ Lampoon Issue 31

Amanda Ba, For Sports: Finding Culture in Athleticism

The rawness is being willing to take an L and take a risk and change something. Maybe it'll make you less popular than you were before, but you're trying something new. Interview with Amanda Ba

/ Fashion

Dior show at Villa Albani Torlonia: the garden where Neoclassicism was born

In the garden that served as a laboratory of Neoclassicism—where Winckelmann and Cardinal Albani reinvented the dialogue between ancient art and nature—the show is a tribute to the cultural ties that have linked Italy to the Maison since 1947

/ biennale

At the Biennale, it’s all sweat: a trillion trees—nothing else will save us

Introduction to Carlo Ratti’s Architecture Biennale: the lone subject is sustainability—a “mind-boggling” number of trees, humanity on its knees, sweat, heat, and a bacterial population boom

/ Lampoon Issue 31

About the Circle: Eduard Sánchez Ribot explores roundness

Roundness is the oldest gesture in design, and yet it still finds fresh ways to speak. In this series Eduard Sánchez Ribot wanders that endless curve, pairing icons of craft with the quiet insistence of the circle

/ The Publishing Industry

Yvon Lambert’s Paris outpost reinvents the classic gallery

Weaving a bookshop, a publishing house, and a spirit of serendipity into an ever‑shifting cultural laboratory – Yvon Lambert is currently showcasing Distances, the new exhibition by photographer Romain Laprade

/ Fashion

Chanel and Italian manufacturers: acquisitions and a show on Lake Como

On the occasion of Chanel’s show in Como, the house’s commitment to shoring up the Italian manufacturers in its supply chain—stories and snapshots from the annals of Italian style

/ Fashion

Anna Wintour and Donald Trump: same culture, same Boomer attitude

Met Gala 2025: the same useless swagger—because only money matters; no future, no sustainability. Trump’s “Drill Baby Drill” becomes Wintour’s “Drill Baby Dance”

/ Humanities

Intertwined: Spyros Rennt baring an evolving vision of intimacy and selfhood

The archiving of softness, Spyros Rennt continues his documentary work, showing a side of queer subculture we haven’t seen from his lens before in his new self-published photobook, Intertwined

/ the art field

Can Juergen Teller be Just Like Us?

In 7 ½ at Sabbioneta’s Palazzo Giardino, Juergen Teller and Dovile Drizyte turns historic ceilings and raw snapshots into an intimate stage for love, legacy, and domestic spectacle

/ The Publishing Industry

Industry, Intimacy, Illumination: Ten Years of Lampoon at Dinner with Chanel

As Chanel prepares to present its Cruise Collection on Lake Como on 29 April, a Milan dinner for Lampoon Issue 31 marks the magazine’s decade in print

/ Fashion, Lampoon Issue 31

Community as brand infrastructure: Nada van Dalen and Rotterdam’s independent creative scene

Positioning is the asset – fashion designer Nada van Dalen, photographer Ari Versluis and stylist Ellie Uyttenbroek examine what independence means in a globalised fashion system

/ Design

Rust and dust, Navajo weaving — “Canyon Road” by Ralph Lauren

Diamonds at the center of every blanket, a red once made from insects, and the sustainability of tradition: For its new Canyon Road line, Ralph Lauren Home tapped two Diné designers, Naiomi and Tyler Glasses

/ Humanities

Robin de Puy, beyond the Stereotype: A Dutch Photographer’s Journey Across the States

“I was frustrated with the way Americans are seen from the outside, especially from a European point of view.” Americans emerge as complex individuals with hopes, dreams, fears, and a capacity to endure

/ Humanities

Deb Koo’s still life paintings pay homage to the fleeting moments that mold our lives

Saturated tones and pastel palettes intertwine in Deb Koo’s oil paintings portraying mundane moments, personal experiences and memories from her childhood

/ Humanities

A Storm in Grandma’s Tea Set: Amit Berman on roughness and nostalgia

«Roughness has been present in my work since the beginning; as a self-taught artist, I used to paint naively, working with what I had and expressing myself in raw ways» – Amit Berman

/ Design

Oak, Wool, and Saddle Leather – Ralph Lauren Home and the American Southwest

At Milan’s Fuorisalone, Ralph Lauren is introducing “Canyon Road”: wool instead of linen, brown instead of green, surfaces that bear marks and stains, amidst mountains and desert. It’s a rougher texture replacing refined polish

/ The Publishing Industry

Lampoon, the new issue, a tribute to the independent publishing: roughness and sustainability

The new issue of Lampoon is a tribute to independence: in publishing, music, and architecture. From Romain Laprade to Olivier Zham, from Joel Dicker to Caterina Barbieri, Mathis Chevalier, Isabelle Albuquerque

/ Design

Marco Bay: botany for Louis Vuitton on Via Montenapoleone

With the reopening of Louis Vuitton on Via Montenapoleone, an interview with landscape architect Marco Bay about the project at Palazzo Taverna: the word “native” no longer makes sense—botany is about experimentation

/ the art field

Rediscovering Marine Forests at Miart: Julian Charrière’s Art for Ruinart

Julian Charrière has conceived an ode to the Lutetian Sea, a vast body of water that covered the Champagne region 45 million years ago. At Miart, Ruinart continues its initiative, Conversations with Nature

/ The Publishing Industry

Lampoon, 10 Years – From the Digital Tribes to a Single Obsession: Sustainability

Ten years of Lampoon: our story, from college to a stool in the newsroom, all the way to the Digital Tribes and the fashion industry—then the world changed: the only obsession is sustainability

/ Humanities

Huasco Valley: Villages and Communities Abandoned at the Edge of Chile’s Desert

Photographer Cristian Ordóñez explores, through images, the last communities before the world’s largest desert capturing poverty, pollution, and lack of access to essential services in what is called the “Garden of Atacama”

/ Fashion

Definition of Sustainability: Fashion Without Microplastics

It has become a common refrain—among buyers as well as certain managers—to say that sustainability doesn’t sell, when in fact sustainability simply isn’t on offer. The entire fashion industry is built on synthetic materials

/ Humanities

Ukraine, Georgia Slovakia and post-soviet heritage

Ukraine, Georgia Slovakia. Three different countries, at three different stages in the relationship with Russia. Ukraine, Georgia Slovakia: War, Protest, and Dissent

/ Fashion

Fashion in Paris: the three Great Houses – Hermès, Louis Vuitton, Chanel

The three Houses, caught between financial power, creativity, and balance. Fashion and the luxury sector are experiencing a reputational crisis – but Hermès, Vuitton and Chanel carry on, stronger than ever

/ call to action

Trump against Woke Culture – and the leaders who removed words

From the Newspeak in Orwell’s 1984 to the 20th-century totalitarian regimes – nothing about what Trump is now doing is new: removing words means removing ideas

/ Fashion

Fashion in Paris – Creativity, not Sustainability

Duran Lantink is at the center of the fashion industry's attention: a show in an office, low budget production, yet drawing focus on some creativity in Paris

/ Fashion

Milan Fashion Shows: annoyance at Dsquared2, applauses for Fendi

There are two circles in Milan: one, the lavish excess of Dsquared2, Cavalli, Dolce & Gabbana – the other one: respect and consistency of Fendi, Prada, Armani

/ call to action

Land Loss: The Erosion and Fragility of the British Coast

Max Miechowski photographs loss, acceptance, and the effects of time passing along the southern British coast—documenting the existence of communities living on the cliffs, at the edge of the land

/ The Publishing Industry

Napoli Amore by Assouline: A Book on Naples, Its Culture, Clashes, and Link to Time

Napoli Amore is a book by Assouline – author Cesare Cunaccia explores the soul of Naples: every layer of history grafts onto another, generating time-bending short circuits

/ Humanities

Bre Andy: Documenting Black and Brown Women Through Figurative Oil Painting in Brooklyn

Inspired by the writings of Angela Davis, Bre Andy seeks to understand the struggles of black women who came before her, specifically in the context of black women in America

/ Fashion

Maria Luisa Frisa and the political value of fashion

Fashion needs a political message: activism, disruption, obsession – fashion is no longer just a creative matter. The responses of Maria Luisa Frisa

/ Design

There’s no room for maximalist lines in studioutte’s work

Patrizio Gola and Guglielmo Giagnotti reject sustainability as a trend: it should be inherent to design. Archetypes, simple forms, and a refusal of decor

/ the art field

Indigo Identity: Stacey Gillian Abe’s Exploration of Memory

Through materials and autobiographical themes, Stacey Gillian Abe creates works that examine Black identity and reconstruct historical narratives

/ Humanities

Home Fetish: a Visual Exploration of Obsession, Comfort, and Domestic Rituals

Through the lens of Lorenzo Venturini: Home Fetish unveils the ambiguous relationship between the self and domestic space, where comfort becomes obsession and everyday objects turn into fetishes

/ the art field

Not more, but deeper: Ordet’s curatorial and editorial vision

At the intersection of contemporary art and publishing, Ordet and its sister project Lenz Press champion a thoughtful, sustainable, and collaborative approach to cultural production in today’s accelerated world

/ Humanities

Twenty years of women’s art revealing the fractures of our time

From trauma to care, absence to collective memory: The Max Mara Art Prize for Women as a space of production, reflection, and resistance in European contemporary art history

/ Fashion

Jonathan Anderson’s Dior: Merging Raw Edge with Classicism

Collars embodied the split personality: one edge pressed and buttoned with couture precision, the other casually sprung upward. At Dior, Jonathan Anderson brings roughness into dialogue with polish

/ Humanities

Who is the power bottom? – phenomenology and terminology of a sexual role

When it comes to sexual roles in the LGBTQ+ community, the terminology can get slippery. Exploring the meaning of power bottom and the alleged threat to masculinity

/ The Sound Industry

Terraforma Exo 2025 explores sound as a tool for ecological transformation

From the green heart of Parco Sempione to the layered histories of Villa Tasca, Terraforma Exo 2025 turns architecture and landscape into instruments. An interview with founder Ruggero Pietromarchi

/ Humanities

Black Cowboys, Banlieues, and Beyond: Twenty Years of Mohamed Bourouissa

From Paris suburbs to Philadelphia stables, Mohamed Bourouissa interrogates the politics of representation and community in urban peripheries across twenty years of projects

/ the art field

Rainbows in Shadows by Jenna Gribbon: seeing and being seen

Jenna Gribbon’s first solo show in Milan challenges the definition of looking, inviting the viewer to step into the artist’s place and inhabit her subjectivity

/ The Publishing Industry

En Route magazine and the story of Cesare Poma: an exhibition at the Vatican Library

A collection of early 20th-century newspapers from around the world has been rediscovered at the Vatican Apostolic Library. The House of Dior is establishing a scholarship to study it

/ Fashion

Red, love, perfection and cruelty – Valentino and Giancarlo Giammetti

The Valentino Garavani & Giancarlo Giammetti Foundation unveils Orizzonti Rosso at PM23—an homage to the signature hue that defines their story. More than glittering parties and fairy-tale princesses, their vision once put Rome’s culture on the world stage

/ Humanities

Lucille Durez: Statues, Bodies, and the Politics of Visibility – Why Monumentality Still Matters

The power of statues lies in their resemblance to us. Any human body could be cast in stone or bronze. Yet, as Judith Butler reminds us, for a body to be monumentalized it must first matter

/ architecture

New Voices in Venice: Azerbaijan, Latvia, Lebanon and more at Biennale 2025

First-time and emerging participants reshape discourse, with Azerbaijan’s “Equilibrium” and Latvia’s border defenses challenging the Arsenale’s traditional Western narrative

/ Humanities

Cross Cultural Chairs: The Chair as a Form of Identity and Belonging in the World

Matteo Guarnaccia’s project challenges the global standardization of chair design: postures, materials, and practices shared between artisans, designers, and local communities

/ Fashion

Stories of power and sustainability: what does Avignon’s arc mean today?

Catholic chronicles and Louis Vuitton at the Palais des Papes: life in a dislocated center as a path to sustainability—Avignon, a UNESCO site, short supply chains, local jobs

/ Fashion

Maria Grazia Chiuri in Rome at Villa Albani: after nine years of activism at Dior

Maria Grazia Chiuri ends her tenure at Dior with a show at Villa Albani and a string of Roman references: Mimi Pecci Blunt, Teatro Cometa, Pietro Ruffo’s zodiac, and the Torlonia Foundation

/ biennale, Digital World, Ethical Entrepreneurship

Consumerism and Built-in Obsolescence, in Counterpoint to Adriano Olivetti

An implied contradiction: Formafantasma’s reflection on consumerism and Technological Obsolescence takes place in Venice at the Olivetti store—a primary reference for the purpose economy

/ architecture

Why Rome’s Palazzine Matter to Global Architectural History

The palazzina took shape within the milieu of a prosperous upper-middle class: the architects and key figures who reshaped the Eternal City between the 1930s and the 1980s

/ Lampoon Issue 31

Amanda Ba, For Sports: Finding Culture in Athleticism

The rawness is being willing to take an L and take a risk and change something. Maybe it'll make you less popular than you were before, but you're trying something new. Interview with Amanda Ba

/ Fashion

Dior show at Villa Albani Torlonia: the garden where Neoclassicism was born

In the garden that served as a laboratory of Neoclassicism—where Winckelmann and Cardinal Albani reinvented the dialogue between ancient art and nature—the show is a tribute to the cultural ties that have linked Italy to the Maison since 1947

/ biennale

At the Biennale, it’s all sweat: a trillion trees—nothing else will save us

Introduction to Carlo Ratti’s Architecture Biennale: the lone subject is sustainability—a “mind-boggling” number of trees, humanity on its knees, sweat, heat, and a bacterial population boom

/ Lampoon Issue 31

About the Circle: Eduard Sánchez Ribot explores roundness

Roundness is the oldest gesture in design, and yet it still finds fresh ways to speak. In this series Eduard Sánchez Ribot wanders that endless curve, pairing icons of craft with the quiet insistence of the circle

/ The Publishing Industry

Yvon Lambert’s Paris outpost reinvents the classic gallery

Weaving a bookshop, a publishing house, and a spirit of serendipity into an ever‑shifting cultural laboratory – Yvon Lambert is currently showcasing Distances, the new exhibition by photographer Romain Laprade

/ Fashion

Chanel and Italian manufacturers: acquisitions and a show on Lake Como

On the occasion of Chanel’s show in Como, the house’s commitment to shoring up the Italian manufacturers in its supply chain—stories and snapshots from the annals of Italian style

/ Fashion

Anna Wintour and Donald Trump: same culture, same Boomer attitude

Met Gala 2025: the same useless swagger—because only money matters; no future, no sustainability. Trump’s “Drill Baby Drill” becomes Wintour’s “Drill Baby Dance”

/ Humanities

Intertwined: Spyros Rennt baring an evolving vision of intimacy and selfhood

The archiving of softness, Spyros Rennt continues his documentary work, showing a side of queer subculture we haven’t seen from his lens before in his new self-published photobook, Intertwined

/ the art field

Can Juergen Teller be Just Like Us?

In 7 ½ at Sabbioneta’s Palazzo Giardino, Juergen Teller and Dovile Drizyte turns historic ceilings and raw snapshots into an intimate stage for love, legacy, and domestic spectacle

/ The Publishing Industry

Industry, Intimacy, Illumination: Ten Years of Lampoon at Dinner with Chanel

As Chanel prepares to present its Cruise Collection on Lake Como on 29 April, a Milan dinner for Lampoon Issue 31 marks the magazine’s decade in print

/ Fashion, Lampoon Issue 31

Community as brand infrastructure: Nada van Dalen and Rotterdam’s independent creative scene

Positioning is the asset – fashion designer Nada van Dalen, photographer Ari Versluis and stylist Ellie Uyttenbroek examine what independence means in a globalised fashion system

/ Design

Rust and dust, Navajo weaving — “Canyon Road” by Ralph Lauren

Diamonds at the center of every blanket, a red once made from insects, and the sustainability of tradition: For its new Canyon Road line, Ralph Lauren Home tapped two Diné designers, Naiomi and Tyler Glasses

/ Humanities

Robin de Puy, beyond the Stereotype: A Dutch Photographer’s Journey Across the States

“I was frustrated with the way Americans are seen from the outside, especially from a European point of view.” Americans emerge as complex individuals with hopes, dreams, fears, and a capacity to endure

/ Humanities

Deb Koo’s still life paintings pay homage to the fleeting moments that mold our lives

Saturated tones and pastel palettes intertwine in Deb Koo’s oil paintings portraying mundane moments, personal experiences and memories from her childhood

/ Humanities

A Storm in Grandma’s Tea Set: Amit Berman on roughness and nostalgia

«Roughness has been present in my work since the beginning; as a self-taught artist, I used to paint naively, working with what I had and expressing myself in raw ways» – Amit Berman

/ Design

Oak, Wool, and Saddle Leather – Ralph Lauren Home and the American Southwest

At Milan’s Fuorisalone, Ralph Lauren is introducing “Canyon Road”: wool instead of linen, brown instead of green, surfaces that bear marks and stains, amidst mountains and desert. It’s a rougher texture replacing refined polish

/ The Publishing Industry

Lampoon, the new issue, a tribute to the independent publishing: roughness and sustainability

The new issue of Lampoon is a tribute to independence: in publishing, music, and architecture. From Romain Laprade to Olivier Zham, from Joel Dicker to Caterina Barbieri, Mathis Chevalier, Isabelle Albuquerque

/ Design

Marco Bay: botany for Louis Vuitton on Via Montenapoleone

With the reopening of Louis Vuitton on Via Montenapoleone, an interview with landscape architect Marco Bay about the project at Palazzo Taverna: the word “native” no longer makes sense—botany is about experimentation

/ the art field

Rediscovering Marine Forests at Miart: Julian Charrière’s Art for Ruinart

Julian Charrière has conceived an ode to the Lutetian Sea, a vast body of water that covered the Champagne region 45 million years ago. At Miart, Ruinart continues its initiative, Conversations with Nature

/ The Publishing Industry

Lampoon, 10 Years – From the Digital Tribes to a Single Obsession: Sustainability

Ten years of Lampoon: our story, from college to a stool in the newsroom, all the way to the Digital Tribes and the fashion industry—then the world changed: the only obsession is sustainability

/ Humanities

Huasco Valley: Villages and Communities Abandoned at the Edge of Chile’s Desert

Photographer Cristian Ordóñez explores, through images, the last communities before the world’s largest desert capturing poverty, pollution, and lack of access to essential services in what is called the “Garden of Atacama”

/ Fashion

Definition of Sustainability: Fashion Without Microplastics

It has become a common refrain—among buyers as well as certain managers—to say that sustainability doesn’t sell, when in fact sustainability simply isn’t on offer. The entire fashion industry is built on synthetic materials

/ Humanities

Ukraine, Georgia Slovakia and post-soviet heritage

Ukraine, Georgia Slovakia. Three different countries, at three different stages in the relationship with Russia. Ukraine, Georgia Slovakia: War, Protest, and Dissent

/ Fashion

Fashion in Paris: the three Great Houses – Hermès, Louis Vuitton, Chanel

The three Houses, caught between financial power, creativity, and balance. Fashion and the luxury sector are experiencing a reputational crisis – but Hermès, Vuitton and Chanel carry on, stronger than ever

/ call to action

Trump against Woke Culture – and the leaders who removed words

From the Newspeak in Orwell’s 1984 to the 20th-century totalitarian regimes – nothing about what Trump is now doing is new: removing words means removing ideas

/ Fashion

Fashion in Paris – Creativity, not Sustainability

Duran Lantink is at the center of the fashion industry's attention: a show in an office, low budget production, yet drawing focus on some creativity in Paris

/ Fashion

Milan Fashion Shows: annoyance at Dsquared2, applauses for Fendi

There are two circles in Milan: one, the lavish excess of Dsquared2, Cavalli, Dolce & Gabbana – the other one: respect and consistency of Fendi, Prada, Armani

/ call to action

Land Loss: The Erosion and Fragility of the British Coast

Max Miechowski photographs loss, acceptance, and the effects of time passing along the southern British coast—documenting the existence of communities living on the cliffs, at the edge of the land

/ The Publishing Industry

Napoli Amore by Assouline: A Book on Naples, Its Culture, Clashes, and Link to Time

Napoli Amore is a book by Assouline – author Cesare Cunaccia explores the soul of Naples: every layer of history grafts onto another, generating time-bending short circuits

/ Humanities

Bre Andy: Documenting Black and Brown Women Through Figurative Oil Painting in Brooklyn

Inspired by the writings of Angela Davis, Bre Andy seeks to understand the struggles of black women who came before her, specifically in the context of black women in America

Lampoon is a cultural magazine.
Culture today means sustainability – in its honest meaning.
Culture has always been about human respect, tolerance. It’s not only about accepting human diversity but it’s about searching for the beauty of every human peculiarity.
Inclusion is the first value that defines art. Culture today means one thing only: to be part of a community, to think as a community.

Reading Lampoon, you see that these themes are smoothly aligned. A good part of the articles’ content discusses practices to restore our environment and stories about understanding the others.
Reading Lampoon, you find a dialogue between science and creativity. From sharp and edgy photo sessions to fashion, architecture, technology – the commitment is dedicated to a future that is all about us – together.

LAMPOONMAGAZINE.COM is an independent online magazine, properly listed at the Milan Court Register of Press, number 407 / 19 December 2014

The magazine is released by LAMPOON PUBLISHING HOUSE S.r.L.
Italian VAT number 08934300966 – Milan R.E.A. (Economic and Administrative Index) number 2057081 – Italian R.O.C. (Register of Operators in the Communication Field) number 26800 / 8 November 2016 – Copyright 2019 © Lampoon Publishing House. All rights reserved.