Glesni Trefor Williams
Lampoon / Transition – Patrick Procktor, a British artist in the 60s, is still leading the way
Post-war, post-austerity, and post-conscription: the oil paintings, watercolors and photographs of Patrick Procktor testifying societal change in 1960s Britain
«More death, more sex, more politics», the second season of Irvine Welsh’s Crime
In conversation with Scottish actor and producer Joanna Vanderham as she delves into her role, working alongside Irvine Welsh and future plans in the industry
Psychedelic, hypnotic: the all-consuming screens of Yuri Ancarani’s Atlantide 2017-2023
In conversation with Italian video-maker Yuri Ancarani, as he navigates modern-day Venice, the push and pull relationship with nature, and loneliness
Cityscapes and empty bleach bottles; Hicham Gardaf, In Praise of Slowness
In conversation with award-winning Moroccan contemporary photographer Hicham Gardaf, whose eyes examine the transformations of social spaces
Controversial, Shakespearean: Sonia Boyce wants the public to talk, reflect and react
In conversation with award-winning British artist Sonia Boyce, as she navigates through Black British history and its relationship to the present day
Absurdity, masculinity, and a nude Cary Grant: Kurt Kauper’s take on painting
«All great paintings are great whether it’s Giotto or Picasso because of the way the volumes move through space». In conversation with American painter Kurt Kauper
Paul Smith: Boring when a product is sustainable. If it’s not, it’s a problem
Architecture had already arrived at minimalism, but not in car design – Sir Paul Smith in conversation with Oliver Heilmer, head of MINI Design
Adam Jones: stitching together Britpop, pub-chic and the Union Jack into sweater vests
«The next collection will be more granny, more Welsh – your Nain going down to the pub with a lace collar on, and she’s drinking a pint». The punk nostalgic...
