We’ll take anything to free ourselves from that sense of nihilism we feel when we stand there, like fools, scrolling a phone screen

Photography: Boris Ovini; Fashion and Creative Direction: Niki Pauls

«That feeling when you get sent the negatives and you look at them, that is what you are working for» – Brendan Freeman on film photography

Spectral Display becomes an ode to the unapologetic rawness of being seen – or unseen – through the creative act – photography Guy Bolongaro, styling Lottie Collins, for Lampoon 30

In dinamiche sociali multiple e frammentarie, le declinazioni della Fendi Baguette e della Peekaboo sono apertura alla pluralità sociale e all’adattamento contemporaneo

Isabelle Wenzel’s photographs explore the interaction between human movement, architectural forms, and the structured designs of Chanel Cruise 24/25

The 30th issue of Lampoon – the second of eight covers: Georgia Palmer in Balenciaga, photography by Alice Rosati, style by Niki Pauls

Stevie and Mada turn their lens on Florida’s unrefined landscapes: they capture the interplay between the state’s untamed nature and the individuals who call it home, revealing a side of Florida that is as raw as it is real.

Proust, passionate about the works of Wagner, embodied the subtle connection between the reader, the composer, and the stage. Lucas Lehmann and Ally macRae for Lampoon

Is the water coming out or going in? This is the mystery of movement that allows paintings to remain alive. Ariana Papademetropoulos on Earth, fantasy and surrealism with Lampoon for it SS24 issue