Tag: Lampoon Issue 30
Why we keep falling for Elmgreen & Dragset
As their work enters Casa Italia at Triennale Milano, we return to our interview on space, storytelling, and the art of dressing the white cube
Villa La Medusa, toward Frank Lloyd Wright’s organic architecture
Camaiore, Lucca. Villa La Medusa reflects its dual etymology. The root is ancient Greek: μέδω, meaning to care for, to protect, but also to bewitch. Villa La Medusa protects its...
Spectral Display by Guy Bolongaro
Spectral Display becomes an ode to the unapologetic rawness of being seen – or unseen – through the creative act – photography Guy Bolongaro, styling Lottie Collins, for Lampoon 30
Archaic and futuristic: Attune by Alexandra Pirici
Pirici does not shy away from size, even comparing the soft hills of her sand dune formation to a large soft animal – Attune, the exhibition co-commissioned by Hamburger Bahnhof...
I don’t use barriers: Théo Mercier’s Rituals
No fences, glass, or don’t touch signs. The work is accessible. It’s vulnerable. You can break it, push it, or even steal it if you want
Rough Culture: Luciano Baldessari was a Rationalist Rebel
Frank Lloyd Wright claimed that Luciano Baldessari was the only Italian architect whose work he knew – matter and spirit, monumental gestures and the fluidity of theatre
Fendi Peekaboo Soft – Sculptural Aesthetics and Raw Materials
In dinamiche sociali multiple e frammentarie, le declinazioni della Fendi Baguette e della Peekaboo sono apertura alla pluralità sociale e all’adattamento contemporaneo
The Raw Marks by Sigve Knutson
The best results come from using tools and materials they were not originally intended for – Oslo based experimental designer Sigve Knutson share his creative process and personal vision on...
Selma Selman: my Dad’s Mercedes
I asked my family how much money they needed so that they wouldn't marry me off: 11,000 euros – I sold some of my artwork and even my hair. I...
Dario Cecchini: I am not mad at vegetarians
When Dario Cecchini was a child, he wanted to become a vet – the death of his father changed his plans and he went from hating his job to becoming...
Deconstructing Uniforms: The Language of Olly Shinder
From London’s queer nightclubs to Fashion East, Olly Shinder redefines military aesthetics and utility through thoughtful design and community-driven experimentation – for Lampoon 30, the Raw Issue
Dior FW24/25: A Study in Contrasts—Earthbound Yet Ethereal
Layering textures, structures, and narratives, Dior FW24/25 unveils a story of balance between grounded strength and ethereal beauty. Photography by Ismaël Moumin and styling by Niki Pauls
Chanel Cruise 24/25: Gravity and Architecture Redefined by Isabelle Wenzel
Isabelle Wenzel’s photographs explore the interaction between human movement, architectural forms, and the structured designs of Chanel Cruise 24/25
Lykke Li: Why Raw means Honest
A conversation with Lykke Li: Exploring non-linear time, psychedelics, the connection with her inner child, and how her artistry transcends the indie sleaze revival
Martino Gamper: Rough, Rocks and Corners
I prefer removing material over adding. Martino Gamper’s design process transforms raw materials into narratives – embracing limits as creative tools, he combines cutting, refining, and collaboration to reveal hidden...
Michèle Lamy: I wake up not knowing what story I am in
Foucault once said that the 21st century would be Deleuzian. Now, living in the 21st century, it feels like almost dystopian – nterview with Michèle Lamy on chaos, creativity, Los...
It’s a good time to be Moses Sumney
We caught up to discuss his emerging creative ventures, how he marries his career as a musician with that of an actor, and how he hopes people respond to his...
Georgia Palmer, Polaris
The 30th issue of Lampoon – the second of eight covers: Georgia Palmer in Balenciaga, photography by Alice Rosati, style by Niki Pauls
