An exploration of how 70s and 80s vintage erotic magazines shaped the visual language of intimacy, fragmentation, and sensual ambiguity in Maelfeyt’s trilogy

If silk isn’t the first natural microfiber, then lotus certainly is. Acknowledging the ability to multitask within a community, Samatoa supplies women with work whilst keeping R&D in the fiber industry alive

Lyocell from eucalyptus recovers over 99% of solvents in closed-loop production, uses about 600–800 liters of water per kg versus ~2,700 for cotton, and is biodegradable when FSC-certified

One hole in the wall, many readings: Alessandro Michele’s Valentino couture show becomes a device of voyeurism, a controlled fashion spectacle where desire is visible, regulated, and denied

Between strategic caution and craftsmanship as content, Matthieu Blazy’s first Haute Couture uses Couture as an instrument of control, rather than a space for creative assertion

“Capitalism cultivates addiction and delirium – our souls were sold long ago.” A conversation with the painter Jordan Sullivan on marginal life and contemporary American experience

Dissidence, irony, and controlled provocation. This is the British contribution to a house that more than any other embodies wealth, heritage, and symbolic power

It is not fashion. It is work. The “well made,” the cloth that stays in the wardrobe: the Zegna method and what Northern Italian enterprise still teaches

We need to insist on what Milan looks like. The city’s palette is gray, never flat, altered by rain. Armani, today under the direction of Leo Dell’Orco, remains the clearest expression of the Milanese logic

In fashion, obsession means Prada. How does Miuccia Prada, also in dialogue with Raf Simons’ cool detachment, continue to rediscover—and redefine—the identity of Milan?