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Interviews
COVER Jumper and shorts Oscar Ouyang
Growing Roots in an Alien Desert: Chloe Lea’s Journey 
Embracing vulnerability and eschewing Hollywood perfection, Chloe Lea’s raw style offers a refreshingly grounded take on the high-stakes battles of Dune: Prophecy
Tiziano Scarpa
Is it possible to catalogue waves? Tiziano Scarpa has done it
An exploration of how waves reveal the dynamic soul of Venice. Merging aesthetics, fear, and hope in a delicate balance between human intervention and nature’s rhythms – in a conversation...
Viviane Sassen
My name is Viviane Sassen and those scars are not my own scars
On the occasion of a travelling retrospective, Sassen looked into her archives and rediscovered a body of work she made while studying in an MFA program. Folio interrogates the preoccupations...
Yayoi Kusama: Japanese Girl in America, American Girl in Japan
Robert Shore chronicles the art of Yayoi Kusama: «the discovery of her father’s affair left her with a lifelong aversion to male genitalia; the dropping of atomic bombs left a...
Ella Wiznia: creating a thread to connect the upcycling
When eco-friendliness meets body-positivity: Ella Wiznia of The Series New York’s drive to upend traditional body conceptions and produce upcycled garments
CAL|||CAL – infalted studio||CAL – Studio Session|CAL – Studio Session|CAL
CAL deconstructs his latex boots for Rick Owens – Amongst the glue, metal rods, and pins
From his live-work studio in London, designer CAL talks FKA twigs, those air-filled boots, and his (now-masked) life with latex
Skinless by Theo Mercier. Photography Erwan Fichou|Skinless by Theo Mercier. Photography Erwan Fichou|Skinless by Theo Mercier. Photography Erwan Fichou|Skinless by Theo Mercier. Photography Erwan Fichou|Skinless by Theo Mercier. Photography Erwan Fichou|Skinless by Theo Mercier. Photography Erwan Fichou|Skinless by Theo Mercier. Photography Erwan Fichou|Skinless by Theo Mercier. Photography Erwan Fichou|
I don’t use barriers: Théo Mercier’s Rituals
No fences, glass, or don’t touch signs. The work is accessible. It’s vulnerable. You can break it, push it, or even steal it if you want
Drawings Luciano Baldessari
Rough Culture: Luciano Baldessari was a Rationalist Rebel
Frank Lloyd Wright claimed that Luciano Baldessari was the only Italian architect whose work he knew – matter and spirit, monumental gestures and the fluidity of theatre
|Sigve Knutson – the crafting process|Sigve Knutson – the crafting process|Sigve Knutson – the crafting process|Sigve Knutson – the crafting process|Sigve Knutson|Behind the scenes by Sigve Knutson|Photography Sigve Knutson|Sigve Knutson's art piece detail|Photography Sigve Knutson|Work developing by Sigve Knutson|Work in progress by Sigve Knutson|Photography Sigve Knutson|Photography Sigve Knutson|Sigve Knutson|Photography Sigve Knutson|Photography Sigve Knutson|Photography Sigve Knutson|Photography Sigve Knutson
The Raw Marks by Sigve Knutson
The best results come from using tools and materials they were not originally intended for – Oslo based experimental designer Sigve Knutson share his creative process and personal vision on...
Selma Selman portrayed by Tristan Rösler||Selma Selman portrayed by Tristan Rösler|Selma Selman by Tristan Rösler|Selma Selman shoot by Tristan Rösler|Selma Selman photographed by Tristan Rösler|Selma Selman photographed by Tristan Rösler
Selma Selman: my Dad’s Mercedes
I asked my family how much money they needed so that they wouldn't marry me off: 11,000 euros – I sold some of my artwork and even my hair. I...