Through staged photography and AI-generated symbols, Canadian director Alex Black reimagines identity and desire—while exposing the unsustainable systems behind how beauty is made and sold.

Sustainability is an overused word, dangerously close to losing its meaning — and Boomers are quick to dismiss it, even though it remains the only reliable code of critical thinking

Patrizio Gola and Guglielmo Giagnotti reject sustainability as a trend: it should be inherent to design. Archetypes, simple forms, and a refusal of decor

Fashion needs a political message: activism, disruption, obsession – fashion is no longer just a creative matter. The responses of Maria Luisa Frisa

From trauma to care, absence to collective memory: The Max Mara Art Prize for Women as a space of production, reflection, and resistance in European contemporary art history

At the intersection of contemporary art and publishing, Ordet and its sister project Lenz Press champion a thoughtful, sustainable, and collaborative approach to cultural production in today’s accelerated world

Through the lens of Lorenzo Venturini: Home Fetish unveils the ambiguous relationship between the self and domestic space, where comfort becomes obsession and everyday objects turn into fetishes

Through materials and autobiographical themes, Stacey Gillian Abe creates works that examine Black identity and reconstruct historical narratives

Collars embodied the split personality: one edge pressed and buttoned with couture precision, the other casually sprung upward. At Dior, Jonathan Anderson brings roughness into dialogue with polish

From Paris suburbs to Philadelphia stables, Mohamed Bourouissa interrogates the politics of representation and community in urban peripheries across twenty years of projects