Why 1990s and Early 2000s Nostalgia Still Shapes Fashion and Culture? The decade that promised endless growth, liberal optimism, and global stability has become the default reference point for the present days

An exploration of how 70s and 80s vintage erotic magazines shaped the visual language of intimacy, fragmentation, and sensual ambiguity in Maelfeyt’s trilogy

One hole in the wall, many readings: Alessandro Michele’s Valentino couture show becomes a device of voyeurism, a controlled fashion spectacle where desire is visible, regulated, and denied

Between strategic caution and craftsmanship as content, Matthieu Blazy’s first Haute Couture uses Couture as an instrument of control, rather than a space for creative assertion

Dissidence, irony, and controlled provocation. This is the British contribution to a house that more than any other embodies wealth, heritage, and symbolic power

It is not fashion. It is work. The “well made,” the cloth that stays in the wardrobe: the Zegna method and what Northern Italian enterprise still teaches

We need to insist on what Milan looks like. The city’s palette is gray, never flat, altered by rain. Armani, today under the direction of Leo Dell’Orco, remains the clearest expression of the Milanese logic

In fashion, obsession means Prada. How does Miuccia Prada, also in dialogue with Raf Simons’ cool detachment, continue to rediscover—and redefine—the identity of Milan?

Brainchild of Sara Ferrero and of art director Susanna Cucco, an introduction to SA SU PHI: three-dimensional volumes, a balance of full and void

Ambra Martone presents Canapa N318 Eau de Parfum, a fragrance that brings hemp back to the center of contemporary olfactory creation