/ Review
For DJ Clara 3000, the dancefloor is a space for political resistance — a radical alternative to a music industry increasingly driven by branding, repetition, and the erosion of artistic freedom
Photographer Louis De Belle investigates how mass tourism, obsessive visual reproduction, and urban trompe-l’œil strategies have contributed to a distorted identity of Florence
Photographer Akila Berjaoui and Clément LaGuardia uncovered the quiet resilience of Tunisia’s shepherds — revealing a raw portrait of ancestral living, slow fashion
Photographer Allegra Martin explores the contradictions of modern architecture—not as static monuments to an ideal past, but as evolving, inhabited structures shaped by time, use and political change
Sustainability is an overused word, dangerously close to losing its meaning — and Boomers are quick to dismiss it, even though it remains the only reliable code of critical thinking
Through staged photography and AI-generated symbols, Canadian director Alex Black reimagines identity and desire—while exposing the unsustainable systems behind how beauty is made and sold.
Fashion needs a political message: activism, disruption, obsession – fashion is no longer just a creative matter. The responses of Maria Luisa Frisa
Patrizio Gola and Guglielmo Giagnotti reject sustainability as a trend: it should be inherent to design. Archetypes, simple forms, and a refusal of decor
Through materials and autobiographical themes, Stacey Gillian Abe creates works that examine Black identity and reconstruct historical narratives
Through the lens of Lorenzo Venturini: Home Fetish unveils the ambiguous relationship between the self and domestic space, where comfort becomes obsession and everyday objects turn into fetishes