Collars embodied the split personality: one edge pressed and buttoned with couture precision, the other casually sprung upward. At Dior, Jonathan Anderson brings roughness into dialogue with polish

A custom mesh machine, recyclable metal, suede underlay, artisanal choices: Caterina Ravaglia for Kate Cate—no shortcuts to fast fashion

The Valentino Garavani & Giancarlo Giammetti Foundation unveils Orizzonti Rosso at PM23—an homage to the signature hue that defines their story. More than glittering parties and fairy-tale princesses, their vision once put Rome’s culture on the world stage

La cronaca cattolica e Louis Vuitton al Palazzo dei Papi: la vita in un centro di provincia è un percorso di sostenibilità – Avignone, sito dell’Unesco, filiera corta e occupazione locale

Maria Grazia Chiuri ends her tenure at Dior with a show at Villa Albani and a string of Roman references: Mimi Pecci Blunt, Teatro Cometa, Pietro Ruffo’s zodiac, and the Torlonia Foundation

In the garden that served as a laboratory of Neoclassicism—where Winckelmann and Cardinal Albani reinvented the dialogue between ancient art and nature—the show is a tribute to the cultural ties that have linked Italy to the Maison since 1947

From industrial bones to Bauhaus-meets-Surrealist alchemy, Philippe Starck turns the concrete shell at 1–7 rue Jean-Richepin into a political statement of circular design, complete with rooftop vegetables

Floraïku’s latest eau de parfum traces the arc of a gong strike, echoing the mindful swell and release of afternoon tea rituals—each moment sweetened by the allure of traditional dorayaki

On the occasion of Chanel’s show in Como, the house’s commitment to shoring up the Italian manufacturers in its supply chain—stories and snapshots from the annals of Italian style

Met Gala 2025: the same useless swagger—because only money matters; no future, no sustainability. Trump’s “Drill Baby Drill” becomes Wintour’s “Drill Baby Dance”