Tag: Lampoon Issue 30
Why we keep falling for Elmgreen & Dragset
As their work enters Casa Italia at Triennale Milano, we return to our interview on space, storytelling, and the art of dressing the white cube
Villa La Medusa, toward Frank Lloyd Wright’s organic architecture
Camaiore, Lucca. Villa La Medusa reflects its dual etymology. The root is ancient Greek: μέδω, meaning to care for, to protect, but also to bewitch. Villa La Medusa protects its...
Spectral Display by Guy Bolongaro
Spectral Display becomes an ode to the unapologetic rawness of being seen – or unseen – through the creative act – photography Guy Bolongaro, styling Lottie Collins, for Lampoon 30
Archaic and futuristic: Attune by Alexandra Pirici
Pirici does not shy away from size, even comparing the soft hills of her sand dune formation to a large soft animal – Attune, the exhibition co-commissioned by Hamburger Bahnhof...
I don’t use barriers: Théo Mercier’s Rituals
No fences, glass, or don’t touch signs. The work is accessible. It’s vulnerable. You can break it, push it, or even steal it if you want
Rough Culture: Luciano Baldessari was a Rationalist Rebel
Frank Lloyd Wright claimed that Luciano Baldessari was the only Italian architect whose work he knew – matter and spirit, monumental gestures and the fluidity of theatre
Fendi Peekaboo Soft – Sculptural Aesthetics and Raw Materials
In dinamiche sociali multiple e frammentarie, le declinazioni della Fendi Baguette e della Peekaboo sono apertura alla pluralità sociale e all’adattamento contemporaneo
The Raw Marks by Sigve Knutson
The best results come from using tools and materials they were not originally intended for – Oslo based experimental designer Sigve Knutson share his creative process and personal vision on...
