Anthea Hamilton reflects on the role of tactility in her installations, from quail eggs and bondage rope to plush pumpkins and perfume

An interview with Maurizio Cattelan: art shouldn’t wash anything away. I don’t want people leaving reassured or clutching a moral. If something sticks, let it be friction

In Peru’s Sacred Valley, Mater studies native species and climate data to preserve ancestral agricultural knowledge. Photographer Gaia Anselmi Tamburini translates this research into a visual record

Photographer Lara Giliberto for Lampoon SOAP: tension between redemption and fall – on faith, guilt, and the hidden landscapes of the human soul

I work in a messy, dirty way. Beneath the roughness of grainy canvas and cadmium underpainting, Amit Berman stages male nudity as a zone of negotiation – trauma and tenderness, sex and self-approval

From digital drift to material presence. How everyday matter became contemporary meaning. Art Basel Paris: a new stability

Blending traditional tools and contemporary technology, artist illustrator François Berthoud carves linoleum plates by hand, uses vegetable-based ink and plays with net distortions, celebrating process over product

For François and Claude Lalanne, a hippopotamus becomes a bathtub. Whether at an exhibition or an auction, this is how collectors’ obsessions start

Interview with Lorenzo Fiaschi, Maurizio Rigillo, and Mario Cristiani of Galleria Continua on 35 years of activity: short supply chains, slow routes, reuse, and CO₂ in San Gimignano

From the reuse of a burnt printing house to a forest-laboratory: Stefano Rabolli Pansera recounts Khao Yai Art Forest and Bangkok Kunsthalle through reforestation, renewable energy, water monitoring, and material recycling