Tag: The Art Field
Jamie Diamond stages fictional families to challenge photographic truth
From Craigslist casting to Japan’s rental relationship services, Jamie Diamond hires strangers to stage families and paid interactions, documenting constructed intimacy
Tadashi Kawamata for Maison Ruinart: shaping reclaimed wood in the vineyards of Champagne
Japanese artist Tadashi Kawamata brings three permanent installations in salvaged wood to Maison Ruinart's estate in Reims, as part of the Conversations with Nature curatorial programme
Dries Van Noten on his foundation in Venice and The Only True Protest Is Beauty
A conversation on planning with water in mind at Fondazione Dries Van Noten as The Only True Protest Is Beauty maps 200+ works across 20 rooms at Palazzo Pisani Moretta—maintenance...
Stop Looking at Images: Photography Begins with Light, Time and Space
Bigaignon in collaboration with Rhinoceros stage a three-act project that rejects visual consumption, dismantles exhibition habits, and reframes photography as structure rather than image
We’re all eating from the same trash can: Jordan Sullivan and the Sick America
“Capitalism cultivates addiction and delirium – our souls were sold long ago.” A conversation with the painter Jordan Sullivan on marginal life and contemporary American experience
Holy water in plastic bottles: Crossover, Anastasia Sosunova and the crisis of belonging
A mass-produced white sock becomes a relic after touching Orthodox martyrs: artist Anastasia Sosunova and curator Chiara Nuzzi discuss fake faith and belief systems in Crossover at Fondazione ICA Milano
New York, no filter, Daniel Arnold after Instagram: You Are What You Do
Over the last two decades, American photographer Daniel Arnold has recorded moments of humanity on New York streets. His new book: You Are What You Do
OGR Torino: how a former railway depot became a center for art and innovation
OGR - the former Officine Grandi Riparazioni of Turin — a 35,000-square-metre industrial complex restored by Fondazione CRT — artistic experimentation and technological innovation
Mary Kelly: seventy years of global conflict through domestic life
On show at Pippy Houldsworth Gallery, Mary Kelly uses dryer lint, letters, and press fragments to trace how decades of global conflict leave their mark on the ordinary aspects of...
Amanda Wall turns to the bed—not for rest, but for resistance
In an era where everything digital dissolves into vapour, Amanda Wall insists on stains, scars, and brushstrokes that mark time and presence—We're leaving the rug, this is our life
Juergen Teller shapes Onassis Ready into a living exhibition: You are invited
Juergen Teller arrives in Athens not in a white cube: You are invited explores intimacy, archival work and new series within the unpolished framework of Onassis Ready, a former factory...
A Journey Through Contemporary Art and Architecture on the French Riviera
At Fondation CAB Saint-Paul-de-Vence, Design Converges with Art and Architecture Saint-Paul-de-Vence: A Historic Village Meets Contemporary Art Situated in the south of France, Fondation CAB opened its second location in...
Perfection Kills the Person: Inside Hart Lëshkina’s Boy World Effigy II
In the multichannel installation at O–Overgaden, a historic Danish boys’ choir becomes a living metaphor for modern control. Boy World Effigy II by Hart Lëshkina dissects harmony, and the death...
Mircea Cantor and the Aleppo Soap – from destruction to the UNESCO list
The destruction suffered by Aleppo, migrations, bombings, and in the midst of all this Mircea Cantor discovered a humble material: Aleppo Soap, which in 2024 was inscribed on the UNESCO...
Anthea Hamilton: Oil makes everything slippery – soap brought the idea back to earth
Anthea Hamilton reflects on the role of tactility in her installations, from quail eggs and bondage rope to plush pumpkins and perfume
Maurizio Cattelan: Art is not a detergent. It doesn’t clean, it stains
An interview with Maurizio Cattelan: art shouldn’t wash anything away. I don’t want people leaving reassured or clutching a moral. If something sticks, let it be friction
Inside Mater, the Peruvian center blending ancestral knowledge and science
In Peru’s Sacred Valley, Mater studies native species and climate data to preserve ancestral agricultural knowledge. Photographer Gaia Anselmi Tamburini translates this research into a visual record
Amit Berman turns pain into softness
I work in a messy, dirty way. Beneath the roughness of grainy canvas and cadmium underpainting, Amit Berman stages male nudity as a zone of negotiation – trauma and tenderness,...
Found objects, fabrics, flesh: Art Basel Paris and the return of materiality
From digital drift to material presence. How everyday matter became contemporary meaning. Art Basel Paris: a new stability
François Berthoud: mistakes are one of the things digital tools can’t offer
Blending traditional tools and contemporary technology, artist illustrator François Berthoud carves linoleum plates by hand, uses vegetable-based ink and plays with net distortions, celebrating process over product
Les Lalanne — originality in an era of covers and revivals
For François and Claude Lalanne, a hippopotamus becomes a bathtub. Whether at an exhibition or an auction, this is how collectors' obsessions start
35 years of Galleria Continua: “we’re ordinary people, without powerful families behind us”
Interview with Lorenzo Fiaschi, Maurizio Rigillo, and Mario Cristiani of Galleria Continua on 35 years of activity: short supply chains, slow routes, reuse, and CO₂ in San Gimignano
Trees and city: Khao Yai Art Forest and Bangkok Kunsthalle
From the reuse of a burnt printing house to a forest-laboratory: Stefano Rabolli Pansera recounts Khao Yai Art Forest and Bangkok Kunsthalle through reforestation, renewable energy, water monitoring, and material...
Post-plastic imaginaries: Sarah Schönfeld and the ecological politics of cleansing rituals
Ideas of cleanliness frequently conceal underlying cultural fears: anxieties about control, the illusion of purity, and the unsettling reality of the body as an open, porous system. Schönfeld responds to...
Linder Sterling: the ultimate recycler of pornographic imagery
An interview with artist Linder Sterling – armed with a surgeon’s scalpel, she cuts away at imagery from magazines to create visual narratives exploring the body and mind of feminism
Pol Anglada on Tom of Finland, Anonymous Johns, and Queer Eroticism
From Tumblr awakenings to Tom of Finland’s ghosts, Pol Anglada’s drawings spit in the face of sanitized queerness and dare to stay raw—hair, sweat, rough bodies and fragile intimacies sketched...
Venice as a Site of Intent: How Three Paris-Based Galleries Are Reshaping the Contemporary Art Landscape
Rooted permanently in Venice, three Paris galleries recast the city as a dynamic hub of ongoing contemporary art dialogue.
Alex Black and the Performance of Beauty in an Age of Visual Saturation
Through staged photography and AI-generated symbols, Canadian director Alex Black reimagines identity and desire—while exposing the unsustainable systems behind how beauty is made and sold.
Culture, Craft, and Design Inside the Medina
IZZA Marrakech, a boutique hotel where architecture, contemporary art, and cultural collaboration redefine sustainable hospitality in the heart of the Medina
There’s no room for maximalist lines in studioutte’s work
Patrizio Gola and Guglielmo Giagnotti reject sustainability as a trend: it should be inherent to design. Archetypes, simple forms, and a refusal of decor
Indigo Identity: Stacey Gillian Abe’s Exploration of Memory
Through materials and autobiographical themes, Stacey Gillian Abe creates works that examine Black identity and reconstruct historical narratives
Not more, but deeper: Ordet’s curatorial and editorial vision
At the intersection of contemporary art and publishing, Ordet and its sister project Lenz Press champion a thoughtful, sustainable, and collaborative approach to cultural production in today’s accelerated world
Sofia Zevi: I don’t use Instagram, I don’t need it
As society chases constant novelty, —yet the value of honest endures. Sofia Zevi and the need to be critical, today when everything seems to have to be 'wow' on social...
Art Basel 2025: What Hides Behind Every White Wall of the Fair?
White walls, invisible materials, global logistics: Art Basel 2025 lays bare the environmental paradox of art fairs, where aesthetic minimalism meets concrete consumption
Piet Hein Eek’s Work with Wood Scrap: “There Are No Poor Materials”
From scrapwood cabinets to masterworks: the story of a Dutch Designer who built a global creative ecosystem around circular design, teamwork, and manufacturing Integrity
Rainbows in Shadows by Jenna Gribbon: seeing and being seen
Jenna Gribbon’s first solo show in Milan challenges the definition of looking, inviting the viewer to step into the artist’s place and inhabit her subjectivity
Consumerism and Built-in Obsolescence, in Counterpoint to Adriano Olivetti
An implied contradiction: Formafantasma’s reflection on consumerism and Technological Obsolescence takes place in Venice at the Olivetti store—a primary reference for the purpose economy
Consumismo e obsolescenza programmata, in controcanto ad Adriano Olivetti
Una mostra a contrasto, reazione: il ragionamento dei Formafantasma su consumismo e obsolescenza tecnologica prende luogo a Venezia, al negozio Olivetti, primo simbolo di imprenditoria etica
At the Biennale, it’s all sweat: a trillion trees—nothing else will save us
Introduction to Carlo Ratti’s Architecture Biennale: the lone subject is sustainability—a “mind-boggling” number of trees, humanity on its knees, sweat, heat, and a bacterial population boom
Alla Biennale, il sudore: mille miliardi di alberi, non c’è altro da fare
Introduzione alla Biennale Architettura di Carlo Ratti: l’unico argomento è quello sostenibile: un “numero da capogiro” di alberi, l’umanità che crolla, sudore, calore e la sovrappopolazione di batteri
Bas Smets: architecture must care for the survival of human beings, animals and plants
“These trees were planted by Napoleon in the 18th century—an early lesson in large‑scale reforestation that we would do well to emulate today.” Interview with Bas Smets, co‑curator of “Building Biospheres”
Gli alberi sono i committenti dell’architettura: dentro la Biennale 2025 di Carlo Ratti
«La riforestazione deve iniziare in modo concreto e locale, albero per albero, marciapiede per marciapiede. È una delle poche soluzioni efficaci al surriscaldamento delle città». Intervista a Carlo Ratti su...
Can Juergen Teller be Just Like Us?
In 7 ½ at Sabbioneta’s Palazzo Giardino, Juergen Teller and Dovile Drizyte turns historic ceilings and raw snapshots into an intimate stage for love, legacy, and domestic spectacle
Oda Jaune Reclaiming Wings: Angels Among Ruins
Being religious was nearly a crime. At home, my parents trained me to answer school ques- tions carefully, to evade, to feign indifference. No one could know we were believers...
Beyond the ashes: Isabelle Albuquerque crafts eternal narratives of feminine agency
"I struggled with the disconnect between my internal femininity and my body. It was before the internet. It was isolating, but there was the Amazonians…" From her studio on the...
Rediscovering Marine Forests at Miart: Julian Charrière’s Art for Ruinart
Julian Charrière has conceived an ode to the Lutetian Sea, a vast body of water that covered the Champagne region 45 million years ago. At Miart, Ruinart continues its initiative,...
