Working with dreams, oral narratives, silk, and glass, filmmaker and artist Saodat Ismailova’s work at Pirelli Hangar Bicocca explores the entangled histories of Central Asia

Spell and reality by Cinzia Ruggeri. In conversation with Luca Lo Pinto, creative director of Cinzia says…, the ended exhibition at MACRO in Rome that is moving to London

«Galleries should have no expectations. Every artist has overworked or underworked something. I will be the only one to know if it’s finished». Cassi Namoda on her approach to work and art

Neo Nordic Architecture challenged the white cube gallery format with a flexible wall system which lets the daylight through to illuminate the artworks – while at night it can be lighten up with an adjustable lighting system

From the polyurethane of the UP series to the resins of Vieni a Vedere installation for Bottega Veneta: experimentation doesn’t need to be taught; it just has to be done

Alexander James, known for his large-scale and layered abstractionist paintings, has a tendency to bring together in his compositions what many would consider to be disparate subjects

Andy Warhol’s photographs for the first time in Capri for the 14th edition of Nomad Circle – in conversation with the curators of the exhibition Jim Hedges and Martin Brûlé

The 16 photographs that make up Je m’appelle Olympia were shot right after the live activation of the light choreography in the theatre’s empty space

Fondazione Prada in Venice transformed into a pawnshop – Swiss artist Christoph Büchel on the notion of debt and the many declinations of it, from the religious to the economic

We see her old possessions wrapped and bound, in a studio space void – tentatively being moved into their new environment which is still under construction