“Even if nobody cares about street lamps, if we isolate them, when we can see that there are real pieces of design. I shoot them with a sky background, I like the repetition of it”

Adrien Dubost takes the Maison’s jewelry out of the velvet box and straight into the sink. The pieces float through water, foam, fabric, blueberries, and a few accidents that look suspiciously like breakfast

Shot across the sunburnt calm of Palm Heights in the Cayman Islands, Timothy Schaumburg’s LV special L32 for Lampoon 32 – SOAP blends raw island edges, sharp light, and an offbeat tension

A reflection on light and absence, Renaud Cambuzat’s contribution to Lampoon 32 SOAP investigates the language of stillness through a cinematic eye

Lampoon SOAP: photographer Maximilian Semlinger documenting a post-industrial landscape marked by coal mining

The first car wash was born from the belief that purity could be engineered – for Lampoon / SOAP, Carly Scott turns the industrial car wash into a confessional of desire From Detroit to Desire: the first car wash opened its doors in Detroit in 1914 When the first car wash opened its doors in […]

From tights and bras to swimsuits and closets: lingerie as a lens to understand female identity, memory, whiteness, and the rituals passed down through generations. A performance by Charlotte Fourneuf-Niel

A cinematic approach, documentary and fiction – what emerges from Naguel Rivero’s photography is not fashion, but choreography: a sequence of gestures that blur the line between movement and constraint

Photographer Lara Giliberto for Lampoon SOAP: tension between redemption and fall – on faith, guilt, and the hidden landscapes of the human soul

In her still lifes for Lampoon SOAP, Sofia Alazraki reflects on the dialectic of purity and decay — where discipline meets residue, and the language of the everyday becomes an ode to Dirty Beauty