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Carlo Mazzoni

Carlo Mazzoni (Milan, 1979). Writer and professional Italian journalist (Mondadori, Rizzoli, Condé Nast). Between 2007 and 2011 Mazzoni released three novels: I Postromantici (Salani) Il Disordine (Salani) Due Amici, (Fandango). In April 2009, he was listed by the Corriere della Sera among the prominent cultural profiles in Milano, in recognition of his cross-field engagement. At the time, he was the only member under the age of 30 in such a list, and he was called upon to introduce Expo 2015. In 2012, working with Editions Jalou, he launched L’Officiel Italia, holding the editorship until 2014. An editor and entrepreneur, he founded the international magazine Lampoon in 2014, reporting on the international creative scene, supporting Italian manufacturing, ecological transition and forestation, and committing himself to contemporary culture and to the narration of all human diversity.

Ten years of Lampoon: our story, from college to a stool in the newsroom, all the way to the Digital Tribes and the fashion industry—then the world changed: the only obsession is sustainability

Dieci anni per Lampoon: la nostra storia, dall’università a uno sgabello in redazione, fino alle Digital Tribe, l’industry della moda – poi il mondo è cambiato: l’unica ossessione è la sostenibilità

It has become a common refrain—among buyers as well as certain managers—to say that sustainability doesn’t sell, when in fact sustainability simply isn’t on offer. The entire fashion industry is built on synthetic materials

Diventa un luogo comune, per i buyer così come per alcuni manager, dire che la sostenibilità non vende – quando invece la sostenibilità non è in offerta. Tutta la moda si basa sul sintetico

Fashion, Creativity, Sustainability: Trump’s words might just give a jolt to an industry that still refuses to commit to manufacturing natural fibers free of plastic

La neve a gennaio, a febbraio – quanta nostalgia? Temperature alte, cambiamento climatico – e nevica in Egitto. Apoteosi o apologia di neve: tra film, costume, abitudini e vizi italiani

La Mamounia, Marrakech, review: The Arsat gardens and the N’zaha, a picnic ritual where the happy few reunited to eat Tanjia, drink tea and sing Marrakshi songs

Sanremo e il nostro Paese, televoto e massa popolare, canzoni sotto la doccia: la nostalgia scoppia per quei momenti che Sanremo trasformò in immagini

La Sultana, Marrakech: A Hidden Passage from the Bustling Streets into Another World of Quiet and Fragrance, Winding Past Courtyards and Pools to the City’s most impressive Rooftop

The definition of a Cultural Brand: a brand that produces authorial narratives linked to its commercial product. Among the primary examples: Louis Vuitton and Rolex