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Jenna Gribbon’s first solo show in Milan challenges the definition of looking, inviting the viewer to step into the artist’s place and inhabit her subjectivity

A collection of early 20th-century newspapers from around the world has been rediscovered at the Vatican Apostolic Library. The House of Dior is establishing a scholarship to study it

The Valentino Garavani & Giancarlo Giammetti Foundation unveils Orizzonti Rosso at PM23—an homage to the signature hue that defines their story. More than glittering parties and fairy-tale princesses, their vision once put Rome’s culture on the world stage

The power of statues lies in their resemblance to us. Any human body could be cast in stone or bronze. Yet, as Judith Butler reminds us, for a body to be monumentalized it must first matter

First-time and emerging participants reshape discourse, with Azerbaijan’s “Equilibrium” and Latvia’s border defenses challenging the Arsenale’s traditional Western narrative

Matteo Guarnaccia’s project challenges the global standardization of chair design: postures, materials, and practices shared between artisans, designers, and local communities

La cronaca cattolica e Louis Vuitton al Palazzo dei Papi: la vita in un centro di provincia è un percorso di sostenibilità – Avignone, sito dell’Unesco, filiera corta e occupazione locale

Maria Grazia Chiuri ends her tenure at Dior with a show at Villa Albani and a string of Roman references: Mimi Pecci Blunt, Teatro Cometa, Pietro Ruffo’s zodiac, and the Torlonia Foundation

An implied contradiction: Formafantasma’s reflection on consumerism and Technological Obsolescence takes place in Venice at the Olivetti store—a primary reference for the purpose economy

The rawness is being willing to take an L and take a risk and change something. Maybe it’ll make you less popular than you were before, but you’re trying something new. Interview with Amanda Ba