From Black Mirror to The End of the F**ing World and now Alien: Earth, Alex Lawther reflects on fear, AI, and playing care in a militarized future

In the multichannel installation at O–Overgaden, a historic Danish boys’ choir becomes a living metaphor for modern control. Boy World Effigy II by Hart Lëshkina dissects harmony, and the death of individuality 

The destruction suffered by Aleppo, migrations, bombings, and in the midst of all this Mircea Cantor discovered a humble material: Aleppo Soap, which in 2024 was inscribed on the UNESCO World Heritage list.

Anthea Hamilton reflects on the role of tactility in her installations, from quail eggs and bondage rope to plush pumpkins and perfume

An interview with Maurizio Cattelan: art shouldn’t wash anything away. I don’t want people leaving reassured or clutching a moral. If something sticks, let it be friction

I work in a messy, dirty way. Beneath the roughness of grainy canvas and cadmium underpainting, Amit Berman stages male nudity as a zone of negotiation – trauma and tenderness, sex and self-approval

Blending traditional tools and contemporary technology, artist illustrator François Berthoud carves linoleum plates by hand, uses vegetable-based ink and plays with net distortions, celebrating process over product

From their early performances in Copenhagen’s queer art scene of the 1990s to the large-scale installation for Prada Mode London 2025, Elmgreen & Dragset continue to question how viewers engage with art in public

Interview with Lorenzo Fiaschi, Maurizio Rigillo, and Mario Cristiani of Galleria Continua on 35 years of activity: short supply chains, slow routes, reuse, and CO₂ in San Gimignano

“I traveled to Zimbabwe, met the people, saw the process. I didn’t want an abstract version of sustainability.” An interview with Setchu’s Satoshi Kuwata on materials and transparent sourcing