Robert Shore chronicles the art of Yayoi Kusama: «the discovery of her father’s affair left her with a lifelong aversion to male genitalia; the dropping of atomic bombs left a sense of reality as a hallucination»

When eco-friendliness meets body-positivity: Ella Wiznia of The Series New York’s drive to upend traditional body conceptions and produce upcycled garments

From his live-work studio in London, designer CAL talks FKA twigs, those air-filled boots, and his (now-masked) life with latex

No fences, glass, or don’t touch signs. The work is accessible. It’s vulnerable. You can break it, push it, or even steal it if you want

Frank Lloyd Wright claimed that Luciano Baldessari was the only Italian architect whose work he knew – matter and spirit, monumental gestures and the fluidity of theatre

The best results come from using tools and materials they were not originally intended for – Oslo based experimental designer Sigve Knutson share his creative process and personal vision on rawness

I asked my family how much money they needed so that they wouldn’t marry me off: 11,000 euros – I sold some of my artwork and even my hair. I gave them the money, and my father bought a Mercedes

When Dario Cecchini was a child, he wanted to become a vet – the death of his father changed his plans and he went from hating his job to becoming a celebrity butcher

We are soft and neurotic, we work on the finer polishing and coating details – we don’t keep the surface of our work rough: it is smooth – but also smooth can be rough

The Peekaboo becomes a book. Fendi releases a volume tributing the bag designed by Silvia Venturini Fendi in 2008. Three ladies talking about irony, family and the meaning of legacy