Review
Jonathan Anderson, Dior, and the British Cultural Scratch
Dissidence, irony, and controlled provocation. This is the British contribution to a house that more than any other embodies wealth, heritage, and symbolic power
Zegna, district, manufacturing: is this the only story we need?
It is not fashion. It is work. The “well made,” the cloth that stays in the wardrobe: the Zegna method and what Northern Italian enterprise still teaches
To Love Milan, We Still Need Armani
We need to insist on what Milan looks like. The city’s palette is gray, never flat, altered by rain. Armani, today under the direction of Leo Dell’Orco, remains the clearest...
It’s Prada, Prada again, always Prada. Why are we so obsessed? It’s that sense of balance
In fashion, obsession means Prada. How does Miuccia Prada, also in dialogue with Raf Simons’ cool detachment, continue to rediscover—and redefine—the identity of Milan?
SA SU PHI: Italian knitwear built on proportion and purity
Brainchild of Sara Ferrero and of art director Susanna Cucco, an introduction to SA SU PHI: three-dimensional volumes, a balance of full and void
Canapa N318 Eau de Parfum: a collaboration between Lampoon and LabSolue
Ambra Martone presents Canapa N318 Eau de Parfum, a fragrance that brings hemp back to the center of contemporary olfactory creation
Balkan Aesthetics: the last frontier of authenticity?
From contemporary art and social media to bunker bars and stucco columns, Balkan aesthetics offer an antidote to globalized smoothness: Alterazioni Video’s Olbania and Šejla Kamerić’s Bosnian Girl
Holy water in plastic bottles: Crossover, Anastasia Sosunova and the crisis of belonging
A mass-produced white sock becomes a relic after touching Orthodox martyrs: artist Anastasia Sosunova and curator Chiara Nuzzi discuss fake faith and belief systems in Crossover at Fondazione ICA Milano
