Lampoon Magazine presents reviews that assess exhibitions, books, fashion collections, and events that engage with environmental awareness, cultural evolution, and collective identity. Writers analyze how creators address sustainability concerns, how institutions adapt to changing social values, and how fashion lines incorporate transparent manufacturing. Each critique outlines the interplay between artistic expression and public response, highlighting the broader implications for resource management and community well-being. Readers encounter detailed commentary on curatorial choices, thematic clarity, and the synergy between aesthetics and ethical approaches. Through these reviews, Lampoon Magazine connects audiences with current developments in culture and encourages contemplation of how creative endeavors can align with responsible practices.
Review
Lampoon Ruvido — editorial identity and the coherence of a message
Lampoon Ruvido — from an American English vocabulary to ten years of publishing: the coherence of a message and the concept of rough
Maria Grazia Chiuri’s Roman couture debut: Fendi after Fendi
The color people actually wear is black, Chiuri says, and she rebuilds a house on that diagnosis: a Fendi couture debut of severity, craft, and almost no fur at all
Wasted Waste: the Czech design project turning textile waste into a systemic question
Wasted Waste began at a waste management facility on the Czech-Polish border – a design project on post-consumer textile disposal, first shown at Milan Design Week
Couture is a dog’s life, and Piccioli signed up at Balenciaga anyway
For fall-winter 2026, Pierpaolo Piccioli stages Balenciaga's fifty-fifth couture collection around a Cité Universitaire courtyard, fusing tailoring and flou to prove couture still breathes today
Versace after Alaïa: what Pieter Mulier will do with bondage
Alaïa and Versace: two opposing visions of sensuality that pulled fashion out of the drawing rooms of the wealthy and into the reality of the body. Mulier and Vitale: the...
Correcting, sculpting, selling: Fashion’s permanent construction site
For fashion low target brands, a Ford Mustang, a Coca-Cola bottle, and a female body obey the same logic: form, desirability, and market value. The industry's real economic engine
The dildo: made in the Stone Age, banned by the Church, sold at Sephora
Female pleasure has always been somebody else's political problem. The history of an object every civilization made and most tried to suppress
Porn outlasts chic: why Hodakova escapes the boredom of fashion
Between corporate dungeons and tired sustainability, Ellen Hodakova Larsson rescues fashion from beige — discarded materials and fetish imagery to build a world far outside the conglomerates' rooms
The Zeitgeist of Louis-Gabriel Nouchi: literature and Onlyfans
The reader on the metro and the OnlyFans subscriber are likely one person. Louis-Gabriel Nouchi has built an entire brand around that overlap, and SS27 is the latest chapter
Why everyone in the room wanted to be a Celine man
While fashion keeps speaking an hermetic language, Michael Rider prefers the grammar of heat: skin, sweat, crumpled linen, and men who look like they live enough to wrinkle their own...
Lazoschmidl: your grandmother’s print, your phone’s front camera
The most transgressive thing in menswear right now is a bathrobe worn out the door and a floral print that belonged to your grandmother – Lazoschmidl SS27 Daynight, Paris Fashion...
Veronica Leoni at Calvin Klein: sexitude and the narcissistic kink
The first woman to lead Calvin Klein Collection in sixty years, Veronica Leoni is rebuilding the source code, relocating desire from the camera's gaze to the architecture of the dressed...
Between me and my Calvins: are we still so horny?
To say "it's so Calvin" is a way of saying you are looking at someone undressed and being made to want it — and that the wanting is the point
Moda Ruvida – Prada doesn’t care, and that’s the whole point
Mrs. Prada and Raf Simons: fashion is just an attitude — a black leather jacket, a yellow square on the back, and nothing left to prove
Moda Ruvida: Paul Smith and his unsuitable situations, with some cultural irony
Tailored and relaxed clothes for inappropriate efforts — the Paul Smith show in Milan is still a compendium of sharp formality and broken youth
Closeness is a fiction: Marie Tomanova shoots herself daily for a year
Three Empty Weeks in July – at Harkawik, New York, through July 11, 2026: a durational body of work shot on a Fujifilm Instax Square SQ6 implicates the viewer in...
Monument London: editing history through objects
Archival design presented with restraint: objects removed from context to reveal authorship, tension, and form. Based in London, Monument was founded by Leah Forsyth-Steel and Victoria Spicer
Hermès, 166 New Bond Street — can you still call it a store?
The new Hermès flagship in London: straw marquetry, horsehair, glass bricks, and the ghost of Seventies punk on New Bond Street
Pride and the market: when activism becomes a product line
From Stonewall to the seasonal capsule collection, corporate Pride branding has transformed queer politics into a purchasable identity — the fashion industry, from Loewe to Saint Laurent, is still negotiating...
Why you so obsessed with me? An encyclopedia of fashion obsessions
From Luna Rossa and Triple S to the Baguette and Dior's Saddle Bag, an encyclopedia of contemporary fashion obsessions — examining how repetition, visibility, and circulation build desire
Humble luxury or quiet luxury? The loudest thing you can do is nothing
Quiet luxury performs restraint. Humble luxury performs virtue – whispering "I don't care" loudly: status is now defined by the coherence of one's position – not its visibility – which brands will...
The Nightclub Crisis: we dressed to get laid – now we swipe
Once the outfit was the search query and the door was the filter - now the algorithm sorts desire, and the club uniform survives only as a costume to photograph....
Maya Stepper: shaping silver between body and autonomy
From modeling to metal, Maya Stepper moves from being seen to shaping her own form, where material, memory and instinct define a practice rooted in reclamation and transformation
Hunger and sexual desire are regulated by the same system of norms
Diet culture controls not just what you eat and who you are – from Naomi Wolf's Beauty Myth to algorithmic surveillance on Instagram and TikTok, the body is always on...
We are afraid of losing images: photography in the digital age with Xiaopeng Yuan
From failed iPhone backups to printed photobooks, Xiaopeng Yuan explores the instability of digital memory and questions what remains when images become data stored inside endless archives
Another Italian manufacturer credited as global taste maker: the history of Lozza eyewear
From a mill in Cadore to a global style code: Lozza is an eyewear brand that helped invent the Italian attitude —crafted in-house by historical manufacturer De Rigo
Galib Gassanoff: structure is not a style, it is a position
A conversation on discipline, cultural memory, and why a designer who knows how to cut a dress has less and less space in an industry that moves too fast to...
Clara Hastrup: the artist wiring living systems into kinetic sculptures
Clara Hastrup’s fish machine sculptures transform aquariums into instruments, using light beams and DIY electronics to test autonomy, intention and control
Midnight sun: inside the arctic bubble where light dissolves time
Aliocha Boi leads us into an Arctic where night never returns and glaciers vanish quietly. How do we navigate a world that dissolves our senses and confronts us with its...
Back to the Antwerp Six: independence reshaped fashion once, why not today again?
Emerging in the 1980s, a group of six designers introduced a model of independent, designer-led fashion that shifted the industry from trend driven systems to authorial practices
Fashion underdogs: the time has come for a revolution
A violent aesthetic built on cuts and lacerations that critics would lazily reduce to the label "Hiroshima chic" – but Kawakubo was excavating something far deeper – the realm of...
Cruise collections: political ideology and the American visibility machine
As Cruise collections migrate toward American cities, the original logic of seasonal escape gives way to something harder to name
Celine after Hedi Slimane: can it be even sexier?
It looks like Michael Rider at Celine works well: in a fragmenting fashion industry, he does not need any claims: not being one thing, being allowed to be anything—it’s an...
Feminist pornography subverts the dominant gaze – beyond the male gaze
Feminist pornography questions who holds the camera, who writes the scene, and what imagery is produced – for whom. From Club 90 to Erika Lust's productions, via the post-porn by...
Fashion is just about a sense of Community: why Stone Island proves it better than the others
Community is a testing ground: how Stone Island’s garments have been managing to evolve through real-world use across subcultures and shared environments
Smartphone interaction and the erosion of boredom: we look for the pause
We were promised tools to free our time. Instead, today we surrender the only hours that are truly ours — the empty ones. Leonie Volk for Lampoon MECCANO
Pietro Porcinai, 1,300 landscape projects: a reportage from Oasi Zegna
In Oasi Zegna, between the 1950s and 1970s, architect and agronomist Pietro Porcinai developed a territorial system for the Zegna family, integrating gardens, industry, forests, and monuments
Diego Villareal: metal does not forgive, it records a decision
Diego Villarreal, founder of Vagujhelyi, speaks about his design practice: he produces metal objects that function as both usable items and sculptural forms
Order as instinct: Milan Design Week 2026 and the focus to raw materials
Captured on analog film, a material reading of Milan Design Week 2026: wood, glass and metal as structural languages, carrying form, memory and spatial intent
Chiara Yiontis draws circles, no sketch no plan
Each work is built through repetition: circles drawn one by one without sketch, where proximity creates structure and a single encounter can redirect a life. Chiara Yiontis for Lampoon MECCANO
Nick Knight working on the latest Tiffany & Co. collections for Lampoon Meccano
SHOWstudio, London - Nick Knight interprets Tiffany collections portraying Hunter Piferc and conceptually connecting body, structure, and surface – this Lampoon’s MECCANO issue
Martin Margiela at the Kudan House: between the historic cedar and the void
Martin Margiela marks his first large-scale solo exhibition in Japan by treating a 1927 heritage residence as a site of memory and disappearance – a graft of Spanish Colonial Revival...
The loudspeaker as machine: Erwann Petersen and the mechanics of sound
From early electromagnetic experiments to Transparent’s exposed systems, the loudspeaker shifts from hidden function to visible structure, staged as object and evidence
More Logo or No Logo: why Louis Vuitton wants it even more
While the system pushes the no-logo narrative through quiet luxury, Louis Vuitton continues to hold its position by keeping power on the logo mania — the Speedy P9 shall prove...
Surreal but not fiction: Mat Maitland on what animals and machines actually share
Mat Maitland's cybernetic collages for Lampoon Meccano explore the blurred boundary between animal bodies and mechanical systems — and why science suggests the two were never truly separate
Jamie Diamond stages fictional families to challenge photographic truth
From Craigslist casting to Japan’s rental relationship services, Jamie Diamond hires strangers to stage families and paid interactions, documenting constructed intimacy
