Circular Economy
The color of stones can’t be changed – Bruno and Iacopo Lastrucci and the last workshop
«You have a picture in your mind and in your eyes, but it might take four or five years to complete». Father and son and the search for stones for...
Spun merino wool: clothing for dancing with antibacterial properties
Knit products will not sit in the heritage field. Talking with knitwear designer Rebecca Marsden about dipping your toe in the water that has not been touched
Mujolab: originating from Buddhism, it refers to the impermanence of all being
A product as a tool to enact change - Mujolab is not solely about creating a plastic alternative, but about opening a dialogue that spurs people to question and reflect
Deadstock and Vintage: redesigning of luxury goods at Paris re Made
Sourcing deadstock, re-designing classics and the future of vintage. A discussion on the circular model
Goppion — a Northern Italian network of craftsmen and co-makers
Whenever a high-value work is encased in a refined glass structure at a museum — freestanding, wall-standing, wall-mounted, or recessed — it is likely that Goppion is behind it
Traceability and Transparency – these are the keywords that really matter
Applying traceability technologies in the fashion industry would bring benefits to companies. From QR-codes to RFI-chips, an insight of some practices that help to achieve it
Aura Blockchain: the privatization of a blockchain is the way forward
Luxury fashion and the Italian textile industry are both relying on blockchain to move them into a new age – who will come out on top?
Tiempo De Zafra – How to save a Caribbean’s lost paradise believing in crafting
«When it rains, water rises out of the river and takes the waste with it» Stephanie Bazzarae Rodrigues says: «All of that funnels into the Caribbean Ocean»
Herd Wear – Wool can be circular and environmentally-friendly, but only if processed with care
«The British wool industry has been neglected in the past fifty years, but it used to be a business in the past»: Ruth Rands is revamping the wool industry in...
Regenerative agriculture in fashion: the actions for creating viable raw materials
Regenerative Fund For Nature: conservation organization aims at bringing the luxury world closer to the practices in the establishment of raw material production
Is zero waste just a new marketing move or a properly transparent practice?
In conversation with Holly McQuillan, who discusses the misconception in the zero waste term and suggests new machinery and business models as alternatives in promoting the system
Dzek and the Venetian Terrazzo of today, «revealing the inherent quality of a stone»
In its eight years of existence, Dzek Studio has put just two products on the market «Having that microscopic understanding of a material will change people’s approach»
Black in nature does not exist: the future of sustainable fabrics and natural dyes.
The recycled and degradable fabrics and natural dyes will change the impact of the fashion industry on the environment: the Iluna Group case study
Missing the Biennale – or not so much? The Essence of architecture lies on its crossable space
Architectural space is what makes a void into a place, the element that defines architecture is exactly what no exhibition can ever provide. Architect and writer Gianni Biondillo reconsiders
Biodegradable elastomers to reduce plastic lifecycle: where are we?
«We do not want to reduce plastic pollution; we want to eliminate it». In conversation with Germano Craia, CEO of KIK Compounds, a company grounded in developing eco-bioplastics
Bio-based polymers as a new material in the textile industry? An insight on EVO by Fulgar
Olivia Dowie, CEO and co-founder of Riley Studio, on how she incorporated the technical fiber in her collections
