The rawness is being willing to take an L and take a risk and change something. Maybe it’ll make you less popular than you were before, but you’re trying something new. Interview with Amanda Ba

In the garden that served as a laboratory of Neoclassicism—where Winckelmann and Cardinal Albani reinvented the dialogue between ancient art and nature—the show is a tribute to the cultural ties that have linked Italy to the Maison since 1947

Introduction to Carlo Ratti’s Architecture Biennale: the lone subject is sustainability—a “mind-boggling” number of trees, humanity on its knees, sweat, heat, and a bacterial population boom

Roundness is the oldest gesture in design, and yet it still finds fresh ways to speak. In this series Eduard Sánchez Ribot wanders that endless curve, pairing icons of craft with the quiet insistence of the circle

Weaving a bookshop, a publishing house, and a spirit of serendipity into an ever‑shifting cultural laboratory – Yvon Lambert is currently showcasing Distances, the new exhibition by photographer Romain Laprade

On the occasion of Chanel’s show in Como, the house’s commitment to shoring up the Italian manufacturers in its supply chain—stories and snapshots from the annals of Italian style

Met Gala 2025: the same useless swagger—because only money matters; no future, no sustainability. Trump’s “Drill Baby Drill” becomes Wintour’s “Drill Baby Dance”

The archiving of softness, Spyros Rennt continues his documentary work, showing a side of queer subculture we haven’t seen from his lens before in his new self-published photobook, Intertwined

In 7 ½ at Sabbioneta’s Palazzo Giardino, Juergen Teller and Dovile Drizyte turns historic ceilings and raw snapshots into an intimate stage for love, legacy, and domestic spectacle

As Chanel prepares to present its Cruise Collection on Lake Como on 29 April, a Milan dinner for Lampoon Issue 31 marks the magazine’s decade in print