Giorgio Armani, the fashion paradox and the fight against consumerism: we don't need to produce in a continuous flow, we have to teach our customers to buy less

Mr. Giorgio Armani dies at 91: 50 years of activity and operation – style, fashion and measure, pioneering sustainability, message, and Milan’s rough architects

Durk Dehner of Tom of Finland Foundation dissects one of the many elements that define the queer as a community and a tribe, the roots of the sexual attraction the same-sex collective feels for one another

An interview with artist Linder Sterling – armed with a surgeon’s scalpel, she cuts away at imagery from magazines to create visual narratives exploring the body and mind of feminism

From body to surface: a visual investigation by Gabriele Rosati into the transformation of identity and energy through technology, digital presence, and human contact

From refusing OpenAI's Super Bowl ad to building underground sound installations and surviving bureaucratic shutdowns—Torus on rejecting algorithmic culture and improvising through failure

From Elizabeth Street Garden to Willets Point, and through East Harlem, Port Morris, and East New York: urban transformations in New York's neighborhoods

For DJ Clara 3000, the dancefloor is a space for political resistance — a radical alternative to a music industry increasingly driven by branding, repetition, and the erosion of artistic freedom

Transforming blocks of dry clay into performative terrain: physical improvisation, self-timer photography, and material friction shape Isabelle Wenzel’s creative process

Late photographer Daniel King’s work stands as a document of his approach: quiet, exact, wide open. The road trip wasn’t about reaching a destination

Boulogne-Billancourt as a case study for urban rewilding in Europe, where past industrial landscapes are giving way to green regeneration, spontaneous vegetation, and unplanned ecosystems reclaiming built environments

Photographer Akila Berjaoui and Clément LaGuardia uncovered the quiet resilience of Tunisia’s shepherds — revealing a raw portrait of ancestral living, slow fashion

How the realities of sex work, political performance, digital self-surveillance and aesthetic anxiety expose the contradictions at the heart of contemporary identity

I’m not living an environmentally conscious life. I eat factory-farmed animals. I’ve flown to the other side of the planet to DJ one event, not even slept and flown directly back home. It’s disgusting. Survival is disgusting

Courmayeur Climate Hub: where the landscape thinks and architecture listens

Sustainability is an overused word, dangerously close to losing its meaning — and Boomers are quick to dismiss it, even though it remains the only reliable code of critical thinking

Terraformae explores terracotta’s circular potential—recyclable, binder-free, and with up to 70% lower CO₂ emissions than cement—through design-led experimentation and process optimization

Through staged photography and AI-generated symbols, Canadian director Alex Black reimagines identity and desire—while exposing the unsustainable systems behind how beauty is made and sold.

Through materials and autobiographical themes, Stacey Gillian Abe creates works that examine Black identity and reconstruct historical narratives

Through the lens of Lorenzo Venturini: Home Fetish unveils the ambiguous relationship between the self and domestic space, where comfort becomes obsession and everyday objects turn into fetishes

At the intersection of contemporary art and publishing, Ordet and its sister project Lenz Press champion a thoughtful, sustainable, and collaborative approach to cultural production in today’s accelerated world

As society chases constant novelty, —yet the value of honest endures. Sofia Zevi and the need to be critical, today when everything seems to have to be 'wow' on social media

From trauma to care, absence to collective memory: The Max Mara Art Prize for Women as a space of production, reflection, and resistance in European contemporary art history

Collars embodied the split personality: one edge pressed and buttoned with couture precision, the other casually sprung upward. At Dior, Jonathan Anderson brings roughness into dialogue with polish