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Tag: Fashion
Willy Chavarria Fall/Winter 2026-2027
Is it a Fashion shows or just some showbiz power? From an ancient salon to Willy Chavarria
With over 300 brands across New York, London, Milan and Paris—and $1.2B in MIV generated by Paris alone—runways now compete for cultural impact, celebrity reach and digital dominance
It’s just a t-shirt: from Westwood to rebellion, politics, sex, irony
The T-shirt has never been innocent. Westwood made it a weapon, later designers polished it into branding, and today it balances history, humor and activism
90s revisited: nostalgia for dirt, desire, and irreverent fornication Kate Moss by Glen Luchford, Times Square (1994) Before the Disneyfication of 42nd Street, Glen Luchford dragged a 20-year-old Kate Moss through the grit of Times Square to capture the "heroin chic" zeitgeist for Harper’s Bazaar. Inspired by the seedy cinematic energy of Taxi Driver, the shoot bridged the gap between raw street realism and high-fashion fantasy.
90s revisited: nostalgia for dirt, desire, and irreverent fornication
Why 1990s and Early 2000s Nostalgia Still Shapes Fashion and Culture? The decade that promised endless growth, liberal optimism, and global stability has become the default reference point for the...
Valentine Haute Couture SS26
Is Valentino Couture about desire – or about voyeurism and denial?
One hole in the wall, many readings: Alessandro Michele’s Valentino couture show becomes a device of voyeurism, a controlled fashion spectacle where desire is visible, regulated, and denied
Matthieu Blazy and Couture as an exercise of power
Between strategic caution and craftsmanship as content, Matthieu Blazy’s first Haute Couture uses Couture as an instrument of control, rather than a space for creative assertion
Dior menswear collection FW26
Jonathan Anderson, Dior, and the British Cultural Scratch
Dissidence, irony, and controlled provocation. This is the British contribution to a house that more than any other embodies wealth, heritage, and symbolic power
Zegna show Fall26
Zegna, district, manufacturing: is this the only story we need?
It is not fashion. It is work. The “well made,” the cloth that stays in the wardrobe: the Zegna method and what Northern Italian enterprise still teaches
Giorgio Armani Menswear FW 2026
To Love Milan, We Still Need Armani
We need to insist on what Milan looks like. The city’s palette is gray, never flat, altered by rain. Armani, today under the direction of Leo Dell’Orco, remains the clearest...
Prada FW26, Cuff details
It’s Prada, Prada again, always Prada. Why are we so obsessed? It’s that sense of balance
In fashion, obsession means Prada. How does Miuccia Prada, also in dialogue with Raf Simons’ cool detachment, continue to rediscover—and redefine—the identity of Milan?
How Richert Beil shapes garments from grit
From latex tailoring to deadstock suiting, Richert Beil’s work sits in the friction between instinct and resistance—imperfection, limitation and delay are part of the process