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Tag: The Art Field
details of Anthea Hamilton’s studio in London, photography Sam Nicklin
Anthea Hamilton: Oil makes everything slippery – soap brought the idea back to earth
Anthea Hamilton reflects on the role of tactility in her installations, from quail eggs and bondage rope to plush pumpkins and perfume
Maurizio Cattelan by Alberto Zanetti
Maurizio Cattelan: Art is not a detergent. It doesn’t clean, it stains
An interview with Maurizio Cattelan: art shouldn’t wash anything away. I don’t want people leaving reassured or clutching a moral. If something sticks, let it be friction
Gaia Anselmi Tamburini, Cieli Sonori
Inside Mater, the Peruvian center blending ancestral knowledge and science
In Peru’s Sacred Valley, Mater studies native species and climate data to preserve ancestral agricultural knowledge. Photographer Gaia Anselmi Tamburini translates this research into a visual record
Photography Lara Giliberto, set design Camille Pouyat
Lampoon SOAP: Lara Giliberto – between Protestantism and Catholicism
Photographer Lara Giliberto for Lampoon SOAP: tension between redemption and fall – on faith, guilt, and the hidden landscapes of the human soul
Lavandino in pietra scura in bagno di Nomos
Genius loci e Art-Interior: la sintesi di materia e forma di HENRYTIMI
Nel cuore di Roma, un ex monastero si trasforma in un esperimento di silenzio e misura. HENRYTIMI indaga il genius loci come forma di ascolto: non un’idea da evocare, ma...
Amit Berman, SEPARATION
Amit Berman turns pain into softness
I work in a messy, dirty way. Beneath the roughness of grainy canvas and cadmium underpainting, Amit Berman stages male nudity as a zone of negotiation – trauma and tenderness,...
Jason Dodge, Darkness falls on a house in Cinziunai village, Aukstadvaris subdistrict, Lithuania9)
Found objects, fabrics, flesh: Art Basel Paris and the return of materiality 
From digital drift to material presence. How everyday matter became contemporary meaning. Art Basel Paris: a new stability
Photography Antonio Giancaspro
François Berthoud: mistakes are one of the things digital tools can’t offer
Blending traditional tools and contemporary technology, artist illustrator François Berthoud carves linoleum plates by hand, uses vegetable-based ink and plays with net distortions, celebrating process over product
Francois-Xavier Lalanne sheep chairs. Paris, 1967.
Les Lalanne — originality in an era of covers and revivals
For François and Claude Lalanne, a hippopotamus becomes a bathtub. Whether at an exhibition or an auction, this is how collectors' obsessions start
Ai Weiwei, Stacked, 2012, exhibition view Ai Weiwei, San Gimignano 2012. Courtesy of AI WEIWEI STUDIO and GALLERIA CONTINUA, photography Ela Bialkowska
35 years of Galleria Continua: “we’re ordinary people, without powerful families behind us”
Interview with Lorenzo Fiaschi, Maurizio Rigillo, and Mario Cristiani of Galleria Continua on 35 years of activity: short supply chains, slow routes, reuse, and CO₂ in San Gimignano