Selin Hatunoglu

Fashion and innovation through sustainable practices. Currently working towards her MSc degree majoring in Fashion and Design Management at Bocconi University in Milan. She has been a contributing writer for Lampoon Magazine since the summer of 2021, focusing her work on shifts in fashion driven by new processes that respect the environment, and the stories of inspirational names that shaped the industry.

Phoebe Philo’s comeback to fashion: minimalism remains, but legs open up

95 percent upcycled materials at Duran Lantink’s Spring 2024 Collection

Paris Fashion Week, Marni’s artisanal devotion by Francesco Risso

An evolving balance of heritage and youth culture – Ferragamo by Maximilian Davis

Collecting memories and film tickets: Jim Longden’s path to filmmaking

Loewe SS24: Jonathan Anderson’s exploration of craftsmanship

From scandal to sobriety: Demna’s tame Balenciaga collection at Paris Fashion Week

Maximilian Davis brings contrast and a twist on heritage to Ferragamo FW23

Hilary Alexander – Farewell to a force behind fashion journalism

Paris Couture Week welcomed Haider Ackermann back to the runway with Jean Paul Gaultier

Making the most of boredom. A look into NOIA Magazine’s collaborative world

Tackling fashion’s waste problem with compostability – Three students from Central Saint Martins

From Accra to London – James Barnor captures societies under transition in six-decade career

Markus Friedrich Staab: lifting chairs out of the mundane, design is about having fun

Lab-grown diamonds using three days’ worth of domestic electricity: steps marked by Inbilico

Coven, Puppets and Puppets – Carly Mark brings a witchy feeling to New York Fashion Week

1920s inspirations bridge the silhouettes and constructivist set design of Chanel’s haute couture

Jamie Sutherland’s sense of childish play and hoarding as multidisciplinary creative tools

ACBC, Italian footwear: accountability from the brands rather than knowledge from the consumers

Ann Demeulemeester begins a new chapter under the Italian ownership of Claudio Antonioli

Elsa Peretti’s democratic designs and a glass maker in Venice – Archimede Seguso

Moroccan mindset and artisans are key to LRNCE’s lifestyle brand of handmade pieces

Zordan embraces LCA: It’s not just what you buy, but also where you buy

Selin Hatunoglu

Collections

Phoebe Philo’s comeback to fashion: minimalism remains, but legs open up

After taking the helms at Chloé and Céline, Phoebe Philo launches her eponymous label with much anticipation from her devoted fans, the Philophiles

Selin Hatunoglu

Collections

95 percent upcycled materials at Duran Lantink’s Spring 2024 Collection

Duran Lantink’s journey from Amsterdam to Paris also marked a shift in creative vision, while keeping sustainable practices at the core of the brand

Selin Hatunoglu

Collections

Paris Fashion Week, Marni’s artisanal devotion by Francesco Risso

Sentimental tributes to Francesco Risso’s Parisian memories highlight the dedication that went into the Marni SS24 collection, presented as a guest show in Paris Fashion Week

Selin Hatunoglu

Collections

An evolving balance of heritage and youth culture – Ferragamo by Maximilian Davis

Crafting fashion for a new generation: Maximilian Davis taps into art and heritage for Ferragamo’s Spring 2024 collection

Selin Hatunoglu

Humanities

Collecting memories and film tickets: Jim Longden’s path to filmmaking

British 23-year-old filmmaker and director Jim Longden about humor and his Chronicles of a Tumour: «I thought if I’m going to die, at least I could have a legendary final set of photos

Selin Hatunoglu

Collections

Loewe SS24: Jonathan Anderson’s exploration of craftsmanship

Lynda Benglis fountains and celebrity attendees add star power to the Loewe SS24 Menswear collection at Paris Fashion Week

Selin Hatunoglu

Balenciaga, Collections

From scandal to sobriety: Demna’s tame Balenciaga collection at Paris Fashion Week

Balenciaga’s clean slate: The luxury house attempts to move on from controversy with a collection devoid of logos and focused on the essence of clothing

Selin Hatunoglu

Collections, Ferragamo

Maximilian Davis brings contrast and a twist on heritage to Ferragamo FW23

Ferragamo’s FW23 collection at Milan Fashion Week features tailoring, monochromatic looks, and lavish details by Maximilian Davis

Selin Hatunoglu

London, The Publishing Industry

Hilary Alexander – Farewell to a force behind fashion journalism

From her early days in New Zealand to becoming a leading voice in the fashion world, Hilary Alexander’s impact on the industry is unmatched like her personality

Selin Hatunoglu

couture, Jean Paul Gaultier

Paris Couture Week welcomed Haider Ackermann back to the runway with Jean Paul Gaultier

The fourth guest designer for the couture show since Gaultier retired, Ackermann tapped into the tailoring magic behind the house’s extravagant facade

Selin Hatunoglu

The Publishing Industry

Making the most of boredom. A look into NOIA Magazine’s collaborative world

Born from Lorenzo Bigatti’s lockdown boredom, NOIA Magazine embraces the creative possibilities that emerge when you look at things differently

Selin Hatunoglu

naturally sourced

Tackling fashion’s waste problem with compostability – Three students from Central Saint Martins

Three students from Central Saint Martins created a fashion film centering a garment made of paper cups, eggshells and cornstarch – then buried it after filming

Selin Hatunoglu

Exhibitions, Humanities

From Accra to London – James Barnor captures societies under transition in six-decade career

From Ghana’s independence to London’s transformation into a multicultural hub, Barnor’s photography tells the story of societies through people in the studio and on the streets

Selin Hatunoglu

creative

Markus Friedrich Staab: lifting chairs out of the mundane, design is about having fun

Embracing fun as a design philosophy. From Dadaism to Josef Albers, Markus Friedrich Staab reimagines his functional art pieces

Selin Hatunoglu

blockchain

Lab-grown diamonds using three days’ worth of domestic electricity: steps marked by Inbilico

Inbilico’s electricity consumption is equivalent to three days’ worth of domestic electricity use; from renewable sources. At the end of around four weeks, the lab-grown diamonds are ready to be cut and polished.

Selin Hatunoglu

Collections, Humanities

Coven, Puppets and Puppets – Carly Mark brings a witchy feeling to New York Fashion Week

Witchy tones, carrots, and pumpkins set the stage for Puppets and Puppets’s new collection, with a theatrical feeling backed by a tap dancer

Selin Hatunoglu

Collections

1920s inspirations bridge the silhouettes and constructivist set design of Chanel’s haute couture

Opened by Charlotte Casiraghi on horseback, Chanel’s haute couture shows Virginie Viard’s own signature while paying homage to the history of the house and the 1920s scene

Selin Hatunoglu

Humanities

Jamie Sutherland’s sense of childish play and hoarding as multidisciplinary creative tools

«Wherever I went, I went with myself, and I couldn’t escape the person that I was in all those different scenarios» – Jamie Sutherland on creating imagined realities as a catalyst for their final collection at CSM

Selin Hatunoglu

Collections

ACBC, Italian footwear: accountability from the brands rather than knowledge from the consumers

Gio Giacobbe and Edoardo Iannuzzi: the Italian footwear startup expands the fashion industry’s focused sustainability efforts to a holistic circular model through collaborations

Selin Hatunoglu

ann demeulemeester, Collections

Ann Demeulemeester begins a new chapter under the Italian ownership of Claudio Antonioli

Acquired by Claudio Antonioli in 2020, Demeulemeester’s brand is on its way to regaining the punk-inspired spark with major shifts in strategy and design

Selin Hatunoglu

crafting, Lampoon Issue 24

Elsa Peretti’s democratic designs and a glass maker in Venice – Archimede Seguso

From Florence to New York, from fashion model to female artisan Elsa Peretti’s lived an existence of freedom, inspiring the accessibility of her design and creations bought by women, for themselves

Selin Hatunoglu

naturally sourced

Moroccan mindset and artisans are key to LRNCE’s lifestyle brand of handmade pieces

«Every piece is a small part of Morocco, it’s a small part of me, it’s bringing two worlds together». Laurence Leenaert on LRNCE’s connection to the local craftsmanship and raw materials

Selin Hatunoglu

call to action

Zordan embraces LCA: It’s not just what you buy, but also where you buy

Zordan shows it is possible to measure carbon footprint even in custom work, as seen in the LCA method used in physical retail space creation

Selin Hatunoglu