Introduction to Carlo Ratti’s Architecture Biennale: the lone subject is sustainability—a “mind-boggling” number of trees, humanity on its knees, sweat, heat, and a bacterial population boom

Introduzione alla Biennale Architettura di Carlo Ratti: l’unico argomento è quello sostenibile: un “numero da capogiro” di alberi, l’umanità che crolla, sudore, calore e la sovrappopolazione di batteri

On the occasion of Chanel’s show in Como, the house’s commitment to shoring up the Italian manufacturers in its supply chain—stories and snapshots from the annals of Italian style

In occasione della sfilata di Chanel a Como, l’impegno della casa per consolidare le manifatture italiane coinvolte nella catena produttiva: tra le cronache, i rimandi e le storie del costume italiano

Met Gala 2025: the same useless swagger—because only money matters; no future, no sustainability. Trump’s “Drill Baby Drill” becomes Wintour’s “Drill Baby Dance”

Met Gala 2025: la stessa inutile strafottenza, perché contano solo i soldi: niente futuro né sostenibilità – il Drill Baby Drill di Trump diventa Drill Baby Dance, per Wintour

When you take a game-changing decision, you don’t understand what you’re doing. An interview with Joel Dicker, the worldwide bestselling author who decided to start his own publishing house, Rosie & Wolfe – an independent one

An Interview to Olivier Zahm, Editor in Chief and co-founder of Purple Magazine, taken by Carlo Mazzoni, Editor in Chief of Lampoon. Independency: being creative today is not enough

Il nuovo numero di Lampoon è un tributo all’indipendenza: nell’editoria, nella musica, nell’architettura. Da Romain Laprade a Olivier Zham, da Joel Dicker a Caterina Barbieri, Mathis Chevalier, Isabelle Albuquerque

The new issue of Lampoon is a tribute to independence: in publishing, music, and architecture. From Romain Laprade to Olivier Zham, from Joel Dicker to Caterina Barbieri, Mathis Chevalier, Isabelle Albuquerque