The Daily Dispatch includes reviews and critical readings of books, exhibitions, photography projects, architecture, independent publications and cultural initiatives. Each contribution connects individual work to a wider system of production, politics, technology and material culture.
Updated with new content every day, The Daily Dispatch extends Lampoon’s editorial research beyond the rhythm of the print edition. It is a continuous journal of contemporary culture — grounded in evidence, direct observation and an interest in how things are made.
The Daily Dispatch
Twenty years of women’s art revealing the fractures of our time
From trauma to care, absence to collective memory: The Max Mara Art Prize for Women as a space of production, reflection, and resistance in European contemporary art history
Jonathan Anderson’s Dior: Merging Raw Edge with Classicism
Collars embodied the split personality: one edge pressed and buttoned with couture precision, the other casually sprung upward. At Dior, Jonathan Anderson brings roughness into dialogue with polish
Is being homosexual less polluting than being heterosexual?
A provocation for Pride Month. Human activity pollutes, and bringing children into the world makes things worse: will same-sex couples be the saviours of the Anthropocene?
Caterina Ravaglia: vegetable tanning is a personal mission
A custom mesh machine, recyclable metal, suede underlay, artisanal choices: Caterina Ravaglia for Kate Cate—no shortcuts to fast fashion
Terraforma Exo 2025 explores sound as a tool for ecological transformation
From the green heart of Parco Sempione to the layered histories of Villa Tasca, Terraforma Exo 2025 turns architecture and landscape into instruments. An interview with founder Ruggero Pietromarchi
Piet Hein Eek’s Work with Wood Scrap: “There Are No Poor Materials”
From scrapwood cabinets to masterworks: the story of a Dutch Designer who built a global creative ecosystem around circular design, teamwork, and manufacturing Integrity
Black Cowboys, Banlieues, and Beyond: Twenty Years of Mohamed Bourouissa
From Paris suburbs to Philadelphia stables, Mohamed Bourouissa interrogates the politics of representation and community in urban peripheries across twenty years of projects
Rainbows in Shadows by Jenna Gribbon: seeing and being seen
Jenna Gribbon’s first solo show in Milan challenges the definition of looking, inviting the viewer to step into the artist’s place and inhabit her subjectivity
En Route magazine and the story of Cesare Poma: an exhibition at the Vatican Library
A collection of early 20th-century newspapers from around the world has been rediscovered at the Vatican Apostolic Library. The House of Dior is establishing a scholarship to study it
Red, love, perfection and cruelty – Valentino and Giancarlo Giammetti
The Valentino Garavani & Giancarlo Giammetti Foundation unveils Orizzonti Rosso at PM23—an homage to the signature hue that defines their story. More than glittering parties and fairy-tale princesses, their vision once...
Lucille Durez: Statues, Bodies, and the Politics of Visibility – Why Monumentality Still Matters
The power of statues lies in their resemblance to us. Any human body could be cast in stone or bronze. Yet, as Judith Butler reminds us, for a body to...
Michael Bible Finds Freedom in Failure: “Success Is Killing Us”
In Goodbye Hotel Michael Bible intertwines ecology and spirituality, exploring post-capitalist desolation. The novel invites us to see the world through the ancient lens of a nature destined to outlive us
Marie Tomanova’s New Volume Confronts Identity, Migration, and Belonging
Marie Tomanova recovers a photographic archive from the beginning of her career, challenging the norms of photography with a single 36-exposure roll of film
New Voices in Venice: Azerbaijan, Latvia, Lebanon and more at Biennale 2025
First-time and emerging participants reshape discourse, with Azerbaijan’s “Equilibrium” and Latvia’s border defenses challenging the Arsenale’s traditional Western narrative
Cross Cultural Chairs: The Chair as a Form of Identity and Belonging in the World
Matteo Guarnaccia’s project challenges the global standardization of chair design: postures, materials, and practices shared between artisans, designers, and local communities
Stories of power and sustainability: what does Avignon’s arc mean today?
La cronaca cattolica e Louis Vuitton al Palazzo dei Papi: la vita in un centro di provincia è un percorso di sostenibilità – Avignone, sito dell’Unesco, filiera corta e occupazione...
Maria Grazia Chiuri in Rome at Villa Albani: after nine years of activism at Dior
Maria Grazia Chiuri ends her tenure at Dior with a show at Villa Albani and a string of Roman references: Mimi Pecci Blunt, Teatro Cometa, Pietro Ruffo’s zodiac, and the...
Consumerism and Built-in Obsolescence, in Counterpoint to Adriano Olivetti
An implied contradiction: Formafantasma’s reflection on consumerism and Technological Obsolescence takes place in Venice at the Olivetti store—a primary reference for the purpose economy
Andrei Ujică: An Aesthetic Eye on Revolutions
From the fall of the Soviet Union to the arrival of the Beatles, the Romanian master filmmaker Andrei Ujică’s work draws on archival footage to depict the upheavals of the...
Why Rome’s Palazzine Matter to Global Architectural History
The palazzina took shape within the milieu of a prosperous upper-middle class: the architects and key figures who reshaped the Eternal City between the 1930s and the 1980s
Alex Huanfa Cheng: At Home in Paris
What began as a personal archive evolved into a long-term record of domestic life, documenting ordinary routines alongside moments of transition. Produced for Lampoon The Commitment issue
Amanda Ba, For Sports: Finding Culture in Athleticism
The rawness is being willing to take an L and take a risk and change something. Maybe it'll make you less popular than you were before, but you're trying something...
Dior show at Villa Albani Torlonia: the garden where Neoclassicism was born
In the garden that served as a laboratory of Neoclassicism—where Winckelmann and Cardinal Albani reinvented the dialogue between ancient art and nature—the show is a tribute to the cultural ties...
At the Biennale, it’s all sweat: a trillion trees—nothing else will save us
Introduction to Carlo Ratti’s Architecture Biennale: the lone subject is sustainability—a “mind-boggling” number of trees, humanity on its knees, sweat, heat, and a bacterial population boom
About the Circle: Eduard Sánchez Ribot explores roundness
Roundness is the oldest gesture in design, and yet it still finds fresh ways to speak. In this series Eduard Sánchez Ribot wanders that endless curve, pairing icons of craft...
Mathis Chevalier – leave it to an MMA fighter to destroy toxic masculinity
As a teenager, Mathis Chevalier had trouble fitting into the school system. MMA helped him with his anger and frustration, until he decided it was time to deconstruct machismo
Bas Smets: architecture must care for the survival of human beings, animals and plants
“These trees were planted by Napoleon in the 18th century—an early lesson in large‑scale reforestation that we would do well to emulate today.” Interview with Bas Smets, co‑curator of “Building Biospheres”
Yvon Lambert’s Paris outpost reinvents the classic gallery
Weaving a bookshop, a publishing house, and a spirit of serendipity into an ever‑shifting cultural laboratory – Yvon Lambert is currently showcasing Distances, the new exhibition by photographer Romain Laprade
Carlo Traglio: a collection, to be a good one, must include a mistake
«Making art is like making love; it is carnal, physical—we all make love, but not everyone makes art». In conversation with the owner of Italian jewelry house Vhernier
I stare at a location and think about how to make it queer
«I draw some stick people in awkward positions and hope the models can interpret my bad sketches», the way to AdeY brings inner world to life
Chanel and Italian manufacturers: acquisitions and a show on Lake Como
On the occasion of Chanel’s show in Como, the house’s commitment to shoring up the Italian manufacturers in its supply chain—stories and snapshots from the annals of Italian style
Anna Wintour and Donald Trump: same culture, same Boomer attitude
Met Gala 2025: the same useless swagger—because only money matters; no future, no sustainability. Trump’s “Drill Baby Drill” becomes Wintour’s “Drill Baby Dance”
Trees Are the Patrons of Architecture: Inside Carlo Ratti’s 2025 Biennale
“Reforestation has to begin in a concrete, local way—tree by tree, sidewalk by sidewalk. It’s one of the few effective answers to overheated cities." An interview with Carlo Ratti about...
DJ Hell on Raw Analog Sound: Resisting Industry Over-Polish
I never want my music to sound too clean or safe; it needs an edge and a sense that anything can happen. My music is never about polished perfection: it’s...
Intertwined: Spyros Rennt baring an evolving vision of intimacy and selfhood
The archiving of softness, Spyros Rennt continues his documentary work, showing a side of queer subculture we haven’t seen from his lens before in his new self-published photobook, Intertwined
Can Juergen Teller be Just Like Us?
In 7 ½ at Sabbioneta’s Palazzo Giardino, Juergen Teller and Dovile Drizyte turns historic ceilings and raw snapshots into an intimate stage for love, legacy, and domestic spectacle
Joel Dicker: the Writer and the Publisher
When you take a game-changing decision, you don't understand what you’re doing. An interview with Joel Dicker, the worldwide bestselling author who decided to start his own publishing house, Rosie...
The Culture of Curiosity: Global Creatives on Raw Freedom and Responsible Innovation
Seven talents from the creative scene bring their vision to a Chanel special for Lampoon 31: from meme semiotics to feminist fantasy, each voice champions tactile experience and autonomy over...
Industry, Intimacy, Illumination: Ten Years of Lampoon at Dinner with Chanel
As Chanel prepares to present its Cruise Collection on Lake Como on 29 April, a Milan dinner for Lampoon Issue 31 marks the magazine’s decade in print
Oda Jaune Reclaiming Wings: Angels Among Ruins
Being religious was nearly a crime. At home, my parents trained me to answer school ques- tions carefully, to evade, to feign indifference. No one could know we were believers...
Community as brand infrastructure: Nada van Dalen and Rotterdam’s independent creative scene
Positioning is the asset – fashion designer Nada van Dalen, photographer Ari Versluis and stylist Ellie Uyttenbroek examine what independence means in a globalised fashion system
Alessia Gunawan: Energia Nostalgia
We’ll take anything to free ourselves from that sense of nihilism we feel when we stand there, like fools, scrolling a phone screen
Rust and dust, Navajo weaving — “Canyon Road” by Ralph Lauren
Diamonds at the center of every blanket, a red once made from insects, and the sustainability of tradition: For its new Canyon Road line, Ralph Lauren Home tapped two Diné...
Beyond the ashes: Isabelle Albuquerque crafts eternal narratives of feminine agency
"I struggled with the disconnect between my internal femininity and my body. It was before the internet. It was isolating, but there was the Amazonians…" From her studio on the...
Boris Ovini: Like it Ever Mattered
Photography: Boris Ovini; Fashion and Creative Direction: Niki Pauls
Olivier Zahm: A Manifesto for the Independent Publishing Industry
An Interview to Olivier Zahm, Editor in Chief and co-founder of Purple Magazine, taken by Carlo Mazzoni, Editor in Chief of Lampoon. Independency: being creative today is not enough
